Preview

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Game of Thrones Acoustic Version - Introduction

The acoustic version of the Game of Thrones theme song transforms the epic orchestral original into an intimate guitar arrangement. This version keeps the powerful melody while making it accessible for solo guitar players. The song comes from HBO's massively popular fantasy series that aired from 2011 to 2019.

Composer Ramin Djawadi created the iconic theme that became instantly recognizable worldwide. When the series premiered in 2011, the opening theme immediately captured viewers' attention with its distinctive rising string motif. The minor key tonality and driving rhythm perfectly evoke the show's atmosphere of political intrigue and medieval warfare. Many guitarists find this arrangement rewarding to learn as it combines technical challenge with immediate musical satisfaction.

Game of Thrones Acoustic Version Guitar Lesson

Taught by Mike Walker, this lesson breaks down the acoustic arrangement of the Game of Thrones theme. The song uses a capo on the 3rd fret and is played in the key of D minor. The main theme follows a repeating pattern of Dm, F, C, and Bb chords. These chords create the dark, medieval atmosphere of the original composition.

The right hand technique is crucial for this piece. Use a steady alternating bass pattern with your thumb while playing the melody notes with your fingers. The bass notes should land on beats 1 and 3, with the melody filling in the spaces between. This creates the driving rhythm that makes the theme so powerful.

For the melody sections, focus on clean fingerpicking with good articulation. The theme uses mostly notes from the D natural minor scale. Pay special attention to the syncopated rhythms that give the melody its distinctive character. The B section introduces some chromatic movement that adds tension before resolving back to the main theme.

Beginners should start by mastering the chord shapes and bass pattern slowly. The chord changes need to be smooth and precise. Intermediate players can work on bringing out the melody clearly while maintaining the bass rhythm. The piece sounds best when played with strong dynamics - louder in the dramatic sections and softer in the transitional passages.

FAQs

Q. What tuning is the Game of Thrones Acoustic Version tune in?

The tune is in standard tuning with the capo on 3rd fret.

Q. Can I play this without a capo?

Yes, but you'll need to transpose the chords which will make the tune sound more warm than bright.

Q. Is this suitable for beginners?

The basic version is accessible, but playing melody and bass together requires practice.

Q. What tempo should I play at?

Start slow (around 80 bpm) and gradually work up to the original tempo of 110 bpm.

Game of Throne Rock Version Cover by Kfir Ochaion - Introduction

The "Game of Thrones" theme is one of the most recognizable TV scores ever written, and Kfir Ochaion’s rock cover gives it a powerful new energy. Kfir is an Israeli guitarist known for turning vocal melodies into expressive guitar lines. His version takes the original orchestral arrangement and transforms it into a full rock instrumental, complete with soaring leads and heavy rhythms. The cover stays true to the epic feel of the original while adding guitar-driven intensity.

Kfir Ochaion started playing guitar at age 10, inspired by classic rock legends. His YouTube channel, launched in 2014, has grown to over 2.2 million subscribers thanks to his unique style. He doesn’t just play the notes—he makes the guitar "sing" like a human voice. This "Game of Thrones" cover is a great example of his approach, where every bend and vibrato mimics the drama of the original melody. His version keeps the song’s grand scale but makes it fit perfectly for electric guitar.

Game of Throne Rock Version Cover by Kfir Ochaion Guitar Lesson

Taught by Mike Walker, this lesson breaks down Kfir Ochaion’s rock arrangement of the "Game of Thrones" theme. The song is in E minor, and the main melody follows the original tune closely but with added rock techniques. The opening riff uses sustained notes with wide vibrato to copy the horn section from the TV version. The left hand must control each note’s pitch carefully to keep the melody sounding smooth and powerful.

The rhythm parts use palm-muted power chords to build tension in the verses. The pre-chorus switches to open chords with ringing arpeggios, creating contrast before the heavy riff returns. Kfir’s version includes a guitar solo section that wasn’t in the original. This solo uses the E harmonic minor scale for a dramatic, cinematic sound. Fast alternate picking runs and controlled bends make this part challenging but rewarding to learn.

For the main theme, Kfir uses slides and legato to connect notes fluidly. The phrasing is key, with pauses in the right places. The chorus brings big power chords and double stops to thicken the sound. Dynamic control is crucial here, as the part shifts between loud, aggressive strums and softer, cleaner passages.

Beginners should start by learning the melody slowly, focusing on note accuracy before adding vibrato. Intermediate players can work on the solo’s faster licks and the precise muting needed for the rhythm parts. Advanced guitarists should study how Kfir blends techniques—hybrid picking, bends, and harmonics—to make the guitar sound almost orchestral.

FAQs

Q. What effects does Kfir use in this cover?

A medium-gain overdrive, delay for atmosphere, and reverb to create space.

Q. Is this song good for beginners?

The melody is playable at slower speeds, but the solo and dynamic control require intermediate skills.

Q. How do I practice the fast alternate picking parts?

Use a metronome starting at half speed. Increase tempo only when you can play cleanly.

Saajna’s unplugged version features minimal instrumentation and comes with soulful vocals that touch your heart. It has become a go-to-track for contestants of reality shows, unplugged concerts and for many upcoming musicians who are singing in clubs, cafes and restaurants. 

Fun Fact: 

The original song for the film was composed by Salim-Sulaiman, and the responsibility of composition was given to none other than Shafqat Amanat Ali, which became so popular that it overshadowed the original recording. 

Song Structure 

Introduction: In this introduction part of the song lesson, Steve, your guitar instructor, talks about what makes Saajna such a great Hindi song to learn on guitar. 

Song Arrangement: Here, you will learn how to tune up your guitar and learn how to play 

the song in the key of D minor. 

Song Demo: In this section, Steve is going to play the guitar part of the song with the backing track to show you how to sync guitar chords with the vocals that are part of the song. 

Solo 1: This part of the lesson helps you understand how to play the first solo that comes at the very beginning of the song. 

Solo 2: This part of the guitar lesson will provide you with information on the next little piece 

of the guitar solo that you hear in the middle of the song. 

Solo 3: Here, you will learn the very last solo, which comes as the song is about to end. 

Overdub Section: This part of the lesson teaches you how to play a specific section of the second guitar, which only comes when the verse section comes in. 

Improvisation: In the last part of this lesson, Steve tells you some of the improvisation techniques that you can use in order to make your guitar chords sound as accurate as possible. 

Why is Saajna (Unplugged) from the movie I, Me aur Main Song?

The song Saajna is rich and filled with emotions; the lyrics are heartfelt, making it a perfect 

choice for people who are looking for emotive playing and connecting with their audience. 

FAQs – Saajna (Unplugged) Song Guitar Lesson

Q1. Who composed the song Saajna, and who sang it for the movie? 

Ans. The unplugged version of the song was composed by Shafqat Amanat Ali, and the vocals for the song were given by Falak Shabir. 

Q2. Is this a good song for beginners? 

Ans. Yes, the song takes full advantage of basic chords and has a slow tempo as well making it suitable for slow beginners. 

Q3. Do I really need to play this song on acoustic guitar only? 

Ans. The unplugged versions of the means it is best to play it on an acoustic guitar with the help of fingerstyle playing.