This version of Handy Man is a great example of James Taylor’s signature acoustic fingerpicking style, incorporating unique harmonies and intricate transitions. If you’re looking for a simpler version, we’ve got that too—check it out on the Torrins website!

Chords Used in Handy Man Guitar Lesson

This song is played in the key of D and features some interesting chord transitions. Here are some of the key chords used:

• Main chords: D, A, and some others. 
• When reharmonizing the second verse: Em, F#m7
• Slash chords to add depth and movement: A/C#, G/B, and a few others.

Tune into the complete Handy Man song lesson to know the rest of the chords. 

Steve breaks down unique chord transitions specific to this song to help you capture its distinct, smooth sound.

Fingerpicking & Strumming Techniques

Unlike traditional fingerpicking, Handy Man features more of a plucking style—playing bass notes while plucking the strings together for a fuller sound.

• The song starts with pickup notes and incorporates hammer-ons to add subtle dynamics.
• If you’re not comfortable with fingerpicking, you can strum the entire song instead. It still sounds great!

Song Structure & Rhythm

This song follows a classic verse-chorus format. 

• Keep an eye on chord transitions, especially when moving between slash chords, as they add a unique colour to the song.
• The multi-angle camera views (focused on fretting, strumming, and a complete overview) help you get a clear, close-up look at all movements –making learning much faster and more effective.
• Make use of tabs and lyrics for a smoother and more structured learning experience.

Why Learn the song Handy Man on guitar?

James Taylor’s Handy Man is a fantastic piece for learning fingerpicking while maintaining a steady rhythm. Plus, it’s an excellent exercise for improving chord transitions and adding finesse to your playing.

FAQs – Handy Man Guitar Lesson

Q1. Do I have to use fingerpicking?

You can strum the entire song if you prefer. However, fingerpicking brings out its full depth.

Q2. How can I make my transitions smoother?

Steve shares specific techniques for transitioning between chords effortlessly. Practising slowly and focusing on finger positioning will help.

Join our expert instructor, Bobby Koeble, for an in-depth lesson on "Always With Me, Always With You" by Joe Satriani. This song is a lyrical masterpiece known for its challenging legato-style licks and smooth melodic phrasing. This intermediate to advanced-level lesson will walk you through every section of the song, helping you master both the technical and emotional elements that make it so iconic.

Interesting fact: Joe Satriani wrote "Always With Me, Always With You" as a heartfelt tribute to his wife. Unlike many of his other complex, high-energy tracks, this song stands out for its melodic simplicity and emotional depth. Satriani has said that the song represents a peaceful and constant connection with his wife, capturing the feeling of always being together no matter the distance. 

Bobby has broken down the song lesson into various sections for a detailed understanding.

• Introduction
• Separate lessons for Solo section 1-6 
• Conclusion and backing track

Chords Used

This song is in the key of B major and follows a 3/4 time signature. Some of the key chords used are:

• B11 – Uses the E string for added depth.
• E major – Bobby teaches a unique fingering that differs from standard chord shapes.
• G# minor and F#sus4 – Essential for the song’s harmonic feel.

Tune into the song lesson to learn the rest of the chords that make up this song. 

Strumming Pattern

The rhythm of this song is signature to the tune. It follows a strict 8-note rhythm with incorporated techniques such as:

• Palm muting
• Arpeggios
• Sliding

Bobby also shares alternative ways to approach the rhythm so you can find what works best for you.

Song Structure

This song features a flowing, solo-driven structure: 

Intro: It has a lyrical melody featuring legato-style licks

Solo Section 1: It is played in the key of B major and incorporates harmonics, vibrato, and sliding. 

Solo Section 2: Moves higher up the neck and incorporates heavy use of vibrato and smooth phrasing. 

Solo Section 3: This section has a harmony and melody change and is slightly longer and more complex. It introduces left-hand legato techniques. 

Solo Section 4: Main melody moves up an octave and incorporates two-handed tapping. 

Solo Section 5: It is the most rhythmically challenging part that includes double stops and varied phrasing. 

Solo Section 6: Returns to the earlier melody with subtle variations in slide and inflexion. It has a fast legato-based lick to close out. 

Outro: Bobby wraps up the lesson by playing along with the backing track

Why Learn This Song?

• Master left-hand legato techniques
• Develop precise control over sliding and vibrato
• Incorporate bluesy elements into your playing
• Build confidence with soloing and tapping

FAQs- Always With Me, Always With You Song Guitar Lesson

Q1. Is this song suitable for beginners?

No, this lesson is best for intermediate to advanced players due to the complex legato and tapping techniques.

Q2. How can I improve my sliding and vibrato?

Focus on timing and pressure consistency. Bobby shares detailed tips on mastering both. 

It’s time to grab your guitar and start strumming along with this detailed Let It Be guitar lesson on Torrins.com! This beginner-to-intermediate lesson is taught by our experienced tutor, Steve Luciano, who breaks down various components of the song—chords, rhythm, strumming pattern, and arrangement—into easy, digestible segments, helping you progress smoothly from one section to the next.

Interesting Fact: This classic Beatles song has a heartfelt story behind it. Paul McCartney wrote Let It Be after dreaming of his late mother, Mary, during a stressful time for The Beatles in 1968. In the dream, she comforted him, saying, “It will be all right, just let it be.” That message stayed with him and became the heart of the song. While many assume "Mother Mary" refers to the Virgin Mary, McCartney says it's open to interpretation.

The Let It Be guitar lesson is played in the key of C and consists of just four chords, two of which are C and F. Tune into the full lesson to learn the rest!

Chords Used in Let It Be Guitar Lesson

This popular Beatles song is an easy song to play and a great choice for beginners.

Many guitar learners struggle with the F chord, but don’t worry—Steve shares some solid tips on how to transition smoothly and play it comfortably. He also breaks down proper finger positioning to help you master F major with ease.

Strumming Pattern

You can keep it simple by playing this song entirely with downstrokes. However, if you want to add a little more rhythm, you can go with this pattern: DDDUDDDU.

A key thing to remember here is to keep your strumming hand moving at all times, even if you're not hitting the strings with every motion. This technique, often seen in older rock songs, helps create the right rhythmic feel.

Song Structure

The song follows a classic verse-chorus structure, but with subtle shifts that make it more dynamic.

• Intro: You’ll start with two chords per measure, but pay attention to the rhythm as it sets the tone for the whole track.
• Verse: The same two-chords-per-measure pattern continues here, but consistency in your strumming is key. If your rhythm slips even a little, it throws off the groove.
• Chorus & Bridge: These sections reuse the verse’s chord progression, but the transitions feel tighter and more energetic. 

Steve walks you through how to manage these shifts without losing momentum, especially the jump between sections, which trips up a lot of learners.

Rhythm & Right-Hand Technique

Even though the chords in this song are simple, the rhythm requires practice. Once the lyrics kick in, the right hand needs to move at 16th note speed (which are four evenly spaced notes for every beat) to create the desired groove. The trick here is that you don’t have to hit the strings every time—just keep your hand moving consistently to stay in time.

Mastering this technique will not only make your playing sound great but will also help build your overall strumming coordination.

Why Learn Let It Be?

• It's an easy song with simple chords, making it great for beginners.
• Helps improve chord transitions, especially switching to and from F major.
• Teaches right-hand rhythm control, a skill that translates to many other songs.
• Works as a great sing-along song, making it fun to play with others!

FAQs – Let It Be Guitar Lesson

Q1. Do I need a capo?

No, Let It Be is played in the key of C and doesn’t require a capo.

Q2. Can I use a different strumming pattern?

Absolutely! You can stick with simple downstrokes or try the DDDUDDDU pattern for more variation. Just remember to keep a steady rhythm.

Interesting Fact: This classic Beatles song has a heartfelt story behind it. Paul McCartney wrote Let It Be after dreaming of his late mother, Mary, during a stressful time for The Beatles in 1968. In the dream, she comforted him, saying, “It will be all right, just let it be.” That message stayed with him and became the heart of the song. While many assume "Mother Mary" refers to the Virgin Mary, McCartney says it's open to interpretation.

Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.

Interesting Fact

Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.

Chords & Progression

This song is in the key of D minor and uses both barre and open chords.

Chords include: Dm (barre), Bb, A7, F, and others.

The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.

Song Structure

Each section is covered in detail, including how the chords and rhythms evolve throughout the song.

Intro Rhythm and Bounce Feel

One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.

Riff Rhythm

The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing. 

Verse and Chorus – Singing & Playing Together

Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.

Intro Lead and Riffs

The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.

Solo Improvisation

The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.

Main Riff Breakdown

To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.

FAQs – Sultans of Swing Guitar Lesson

Q1: Is this song beginner-friendly?

It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.

Q2: Do I need a capo?

No capo is needed for this version.

Q3: How do I get the “Knopfler feel”?

Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.