I want to break free
Introduction
Section A Intro
Section B Chorus
Section C Verse
Section D Rhythm under Solo
Section E Interlude
Section F Ending
Overdub 1
Overdub 2
Overdub 3
Overdub 4
Keyboard Solo
Improvisation
Song Demo
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I want to break free
Introduction
Section A Intro
Section B Chorus
Section C Verse
Section D Rhythm under Solo
Section E Interlude
Section F Ending
Overdub 1
Overdub 2
Overdub 3
Overdub 4
Keyboard Solo
Improvisation
Song Demo
Explore More in English Songs
Introduction:
Torrins brings you an exciting lesson on The Thrill Is Gone, the legendary blues song made famous by B.B. King. Taught by Mike Dugan, this lesson is perfect for those looking to master both rhythm and lead guitar in a blues setting. You'll learn everything from chords and rhythm to soulful lead fills and solo techniques.
Fun Fact: While most people associate "The Thrill Is Gone" with B.B. King, the song was originally written and recorded by Roy Hawkins and Rick Darnell. However, B.B. King’s version became a massive hit, earning him a Grammy Award for Best Male R&B Vocal Performance in 1970 and a spot in the Grammy Hall of Fame in 1998.
Chords & Rhythm
This lesson starts by breaking down the essential chords used in the song. The song is in the key of B minor, incorporating barre chords like Em, F#7, and others in a 12-bar blues progression. Mike explains the finger placements for each chord, ensuring clarity for both beginners and advanced players.
The rhythm follows a straightforward 4-feel, meaning it doesn’t use shuffle or swing. Mike provides an easy method to simplify the rhythm, explaining the accents and muting techniques that bring the groove to life.
Sing and Play Technique
One of the key elements of this song is matching vocals with guitar playing. The song follows a typical blues structure where the first line is repeated, making it essential to synchronize your playing with the melody. Mike shares helpful tips on keeping time and smoothly integrating vocals with guitar.
Solo & Lead Fills
Next, we dive into the iconic solo heard in the introduction. The solo is based on the B minor pentatonic scale, and Mike walks through each lick, ensuring you understand the phrasing and feel that make B.B. King’s style so expressive.
Following the solo lesson, the instructor covers lead fills, which are played in between vocal phrases. He sticks to the B minor pentatonic scale, showing how to create emotional lead parts.
Song Demo & Final Arrangement
The lesson concludes with a full song demo, allowing you to hear all the elements come together. The final arrangement follows the classic 12-bar blues progression, with a structure of intro, two verses, solo, two verses, and outro. Mike plays along with the backing track, reinforcing everything covered in the lesson.
Why Learn "The Thrill Is Gone"?
- Great way to practice 12-bar blues progressions.
- Helps improve lead guitar phrasing and soloing.
- Perfect for learning how to sing and play simultaneously.
FAQs -The Thrill Is Gone Guitar Lesson
Q1. Is this song beginner-friendly?
Yes! While some barre chords are involved, Mike provides tips to make them easier.
Q2. Do I need a capo for this lesson?
No capo is required!
Q3. What’s the best way to practice lead fills?
Start slow and break the fills into smaller sections. Play along with the backing track to develop feel and timing.
Introduction
Torrins brings you a detailed guitar lesson on another late-1990s rock hit, Jumper, by the American rock band Third Eye Blind. In this tutorial, our expert instructor, Steve Luciano, breaks down this acoustic power pop song, sharing valuable insights to help you master it on guitar.
This guitar song tutorial covers Intro, Chords, Rhythm, and comes with Tabs and Lyrics for an all-rounded playing and learning experience.
Chords Used in Jumper Guitar Lesson
This song features a mix of open and extended chords, creating a rich and dynamic sound.
The song is originally written in the key of C major and has a time signature of common time and a tempo of 88 beats per minute.
Steve Luciano teaches this song using 5 chords two of which are Fmaj7/C and D4add9. Check out the complete lesson to know the rest.
Chords used: Fmaj7/C and D4 add 9
Steve shares a simple hack to play D4add9, making it easier to transition smoothly between chords. He also covers detailed finger positioning to ensure clarity in each chord change.
Strumming Pattern
Pattern: DDDUDUUD
The song follows a 4/4 time signature, but what makes it unique is the 16th note rhythm in the intro. Your right hand moves four times as fast, but you don’t have to hit the strings every time—just keeping your hand moving at that pace gives the desired groove. Steve breaks down this technique in the lesson to help you nail the feel of the song.
Song Structure
This song follows a verse-chorus format, with rhythmic variations adding energy to different sections.
- Verse: The first measure contains two chords, while the next measure is a full measure of one chord.
- Chorus: Features a groovier and faster rhythm, helping you develop better control in your right hand.
- Muting Technique: In parts of the song, Steve demonstrates how to mute the strings while playing Fmaj7/C, creating a percussive effect. If you struggle with this, he also teaches an alternative approach.
Why Learn the Jumper song on guitar?
- Improves right-hand independence and left-right hand coordination for smoother transitions.
- Teaches unique strumming techniques that add groove and freshness to your playing.
- Helps develop speed and precision, making your playing sound more natural and effortless.
Tips for Playing the Jumper Song Smoothly on Guitar
- Practice chord transitions first before focusing on strumming.
- Loosen your grip to achieve proper string muting in certain sections.
- Focus on feeling the rhythm, especially during faster, groove-heavy parts.
FAQs – Jumper Guitar Lesson
Q1. Is this song beginner-friendly?
A: The Jumper song on guitar is best suited for intermediate players due to its faster rhythm and complex strumming patterns.
Q2. What if I struggle with the faster rhythm?
A: In that case, practice the strumming motion slowly first before speeding up. The key is keeping your right hand moving consistently.
Recording Fun Fact: For Jumper, Stephan Jenkins wanted a deep, thudding drum sound, so they recorded in a small room with the doors open for a natural "breathing" effect. He even had drummer Brad Hargreaves switch to smaller sticks for a more controlled feel, kind of like a Beatles-style recording trick!















