Wonderful Tonight (Sing and Play)

Game of Throne Rock Version Cover by Kfir Ochaion - Introduction

The "Game of Thrones" theme is one of the most recognizable TV scores ever written, and Kfir Ochaion’s rock cover gives it a powerful new energy. Kfir is an Israeli guitarist known for turning vocal melodies into expressive guitar lines. His version takes the original orchestral arrangement and transforms it into a full rock instrumental, complete with soaring leads and heavy rhythms. The cover stays true to the epic feel of the original while adding guitar-driven intensity.

Kfir Ochaion started playing guitar at age 10, inspired by classic rock legends. His YouTube channel, launched in 2014, has grown to over 2.2 million subscribers thanks to his unique style. He doesn’t just play the notes—he makes the guitar "sing" like a human voice. This "Game of Thrones" cover is a great example of his approach, where every bend and vibrato mimics the drama of the original melody. His version keeps the song’s grand scale but makes it fit perfectly for electric guitar.

Game of Throne Rock Version Cover by Kfir Ochaion Guitar Lesson

Taught by Mike Walker, this lesson breaks down Kfir Ochaion’s rock arrangement of the "Game of Thrones" theme. The song is in E minor, and the main melody follows the original tune closely but with added rock techniques. The opening riff uses sustained notes with wide vibrato to copy the horn section from the TV version. The left hand must control each note’s pitch carefully to keep the melody sounding smooth and powerful.

The rhythm parts use palm-muted power chords to build tension in the verses. The pre-chorus switches to open chords with ringing arpeggios, creating contrast before the heavy riff returns. Kfir’s version includes a guitar solo section that wasn’t in the original. This solo uses the E harmonic minor scale for a dramatic, cinematic sound. Fast alternate picking runs and controlled bends make this part challenging but rewarding to learn.

For the main theme, Kfir uses slides and legato to connect notes fluidly. The phrasing is key, with pauses in the right places. The chorus brings big power chords and double stops to thicken the sound. Dynamic control is crucial here, as the part shifts between loud, aggressive strums and softer, cleaner passages.

Beginners should start by learning the melody slowly, focusing on note accuracy before adding vibrato. Intermediate players can work on the solo’s faster licks and the precise muting needed for the rhythm parts. Advanced guitarists should study how Kfir blends techniques—hybrid picking, bends, and harmonics—to make the guitar sound almost orchestral.

FAQs

Q. What effects does Kfir use in this cover?

A medium-gain overdrive, delay for atmosphere, and reverb to create space.

Q. Is this song good for beginners?

The melody is playable at slower speeds, but the solo and dynamic control require intermediate skills.

Q. How do I practice the fast alternate picking parts?

Use a metronome starting at half speed. Increase tempo only when you can play cleanly.

Heaven By Bryan Adams

In this guitar lesson, instructed by Mike Walker, you will learn the clean electric guitar progression that comes in at the beginning of the song. The structure you have to follow is quite straightforward; it uses verse, bridges, chorus, and then again a bridge. 

But what sets this song and its lesson apart is the use of gravel-toned vocals, which carry a hint of vulnerability that was pretty rare back in the '80s rock anthems. On the other hand, if we look at the lyrics, they were quite earnest and at the same time universal. 

Why Learn Heaven Song On Guitar?

Heaven is a dream song to learn, especially if you are a beginner. Let us show you how it can be part of your musical journey and help you learn new techniques: 

Use of Basic Chords: It is the song that uses simple open chords such as C, G, Am, F and Dm. In addition to this, there’s also a capo version which allows you to use simpler fingerpicking. 

Slow Tempo: Heaven is played with a tempo of 65-70 BPM. This slow pace makes it a perfect song for learning clean transitions and rhythms. 

Emotional Expressions: It’s a great song for people who are trying to play songs that are heavy on feels. Besides this, it also teaches you how to move beyond mechanical strumming. 

Follows Familiar Structure: You have to follow a verse-chorus structure, which is beginner-friendly and, at the same time, makes you understand how popular songs are composed. 

Introduction

In My City is the debut song from Indian actress Priyanka Chopra featuring Will.i.am. The song was co-written by Ester Dean, who also provides his voice for additional vocals. 

Priyanka gives homage to her nomadic childhood and shows her journey from a small-town girl to a big Bollywood star. This isn’t a guitar song in the first place, but J.J. Pattishall is going to teach you how to turn it into a guitar song. 

In this video lesson J.J. Pattishall teaches how to play the song In My City as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Chords and Rhythm, Song Arrangement and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure 

Introduction: In this part, J.J. Pattishall talks about how this song is a unique dance number and the influence of singer/ DJ Will.i.am makes the song upbeat, similar to the songs from Black Eyed Peas. In this section, you will also learn the tuning of the guitar for this song. 

Chords and Rhythm: Here, you will learn the outline of the chords and the rhythm that you are going to use in the song. Furthermore, you will get to know how to improvise guitar playing in this song to make it more interesting.

Song Arrangement: In this section, you will be learning how to play the chords of Will.i.am, part of the song. 

Song Demo: This is the last section where your guitar instructor is going to show you how to play the guitar section alongside the song. 

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.