Overdub Licks and Rhythm

Crazy Minnal is one of the vibrant Tamil songs that was part of the movie Naduvula Konjam Pakkatha Kaanom, which was released in 2012. This song stands out as the promotional track for the film due to its upbeat tempo and memorable tune. 

Song Structure 

Introduction: The introduction of this guitar lesson is from Bobby Koelble, who is also going to be your instructor. In this introduction, Bobby shares his views on the song; he tells us that the song includes a pretty nice tune that has to be played on acoustic guitar for the best results. 

Verse 1: This particular part is the longest, and here you will learn about the chords, rhythm, and song arrangement of the 1st verse that comes in the beginning. The guitar part starts from the lead vocals; for this part, you will be using right-hand fingerpicking techniques, so do spend some time perfecting this particular part, as this technique is quite useful if you are going to be a professional guitarist. 

Pre-chorus and Chorus: The pre-chorus present in this song is just 4 bars long, and it follows a simple rhythm. 

Solo Rhythm: Now comes the part where you will learn how to play the epic solo; here, Bobby first shows you the chords that are being played below the main solo, which has a very subtle rhythm part that keeps playing in the background as the guitar solo progresses. Once this is done, Bobby will teach you how to play the solo part. 

Bridge: This part shows you how to play the bridge, which is a total of 12 measures; here, you will be mostly playing the chords that you have already learned in the above section; there are two or three additional chords for this lesson. 

Verse 3: When you listen to the third verse, you might think it’s pretty similar to what you have learned in the first verse; well, it is partially true; here, you will find there’s a change in harmony, and if we compare it rhythmically we can find that it is completely different than the 

first one. 

Pre-chorus 2 and Chorus 2: Once again, the pre-chorus is similar to the first one but with the addition of two new chords for you to learn and practice. 

Song Demo: This is the part where your guitar instructor plays the guitar parts of the song with the backing track. 

Solo Lesson: Here, you will learn how to play the solo, which is pretty small in terms of bar length. But it does hold significance when it learns the right essence of this song. 

Simple Version: In this last section, Bobby plays each section of the song, but this time, instead of using complex bar chords and progressions, he will keep things simple to make it easier for beginners to learn this song. 

Elay Keechan is a song composed by A.R. Rahman for the Tamil film Kadal, which was released in 2013. This particular track from the movie's album stands out as the most listened-to song because of its energetic folk-rock fusion and catchy rhythm. 

A.R. Rahman made sure to infuse folk elements with contemporary rock, making this song a truly refreshing listening experience. In this song you will witness acoustic guitar strums in addition to the bluesy bass lines and even the use of harmonica. 

Strumming Pattern 

Elay Keechan has a laid-back sound to it; it holds a nostalgic feel as well, which comes from gentle strumming or light fingerpicking. The recommended strumming pattern for this song is D – D U – U D U. 

• D = Down Strum. 
• U = Up Strum. 
• “–” = Pause or hold

• When you play this song, try to use light dynamics; what this means is that you have to let the strums breathe in order to maintain the song's emotional depth. 
• Furthermore, it would be great if you could use a capo on the 1st or 2nd fret to match up with the original pitch of the song. 
• You can also use fingerpicking in the intro to add more layers of retro vibe to the song. 

Song Structure 

Introduction: The introduction of the song lesson is by Mike Walker, who is also going to be your guitar instructor for this song. Mike talks about how this song is unique with its repetitive rhythmic parts and how it has a country-like solo. In this part of the lesson, you will be learning how to tune up the guitar for this song. 

Riff: Here Mike will first play the closed version of the song, and he explains to you the chords used for it, then he moves to the open version and shares with you the chords for the same. 

Song Demo: After showing you the repetitive rhythm that you need to follow, Mike will demonstrate how to play the song on guitar with the backing track. 

Improvisation: In this section of the guitar lesson, Mike will show you how to implement improvisation techniques for this song. These techniques will make it easier for you to play the song. 

Solo: The last part of this lesson is a guitar solo, which is played at the 10th fret of your guitar. Mike has divided the solo into multiple licks and shows you how to play the entire solo, one lick after the other. 

July Matham - Introduction

July Matham is a beloved Tamil song from the 1993 film Pudhiya Mugam, composed by A.R. Rahman in his early career. The song features the legendary voices of S.P. Balasubrahmanyam and Annupamaa, with lyrics by Vairamuthu. It is set in Pilu raga, which gives it a sweet yet melancholic feel. The film tells the story of an assassin who transforms into a hero, and this song plays during a key emotional moment.

The melody flows gently, with soft orchestration and expressive vocals. Rahman’s use of harmonies and subtle rhythm changes makes the song stand out. Even today, it remains a favorite among fans of 90s Tamil music because of its simple yet deep emotional appeal. The way the vocals glide through the notes makes it perfect for guitar adaptation.

July Matham Guitar Lesson

Taught by Mike Walker, this lesson covers the song’s structure in D minor, shifting to D major in some sections. The harmonic minor scale (D-E-F-G-A-Bb-C#) is used for the sorrowful parts, while the major scale brightens the mood. The chords follow a cycle of Dm - Bb - F - C, with occasional passing chords like Gm and A7 for tension.

The strumming pattern is relaxed, matching the 6/8 rhythm. Use downstrokes on beats 1 and 4, with light upstrokes in between. The pre-chorus has arpeggiated chords, where you pluck individual notes instead of strumming. The chorus returns to fuller strums, emphasizing the emotional highs.

For the melody, focus on the D minor pentatonic scale (D-F-G-A-C). The vocal line moves smoothly, often sliding between notes. On guitar, try bending into some notes for expression, like bending the F (1st fret, high E string) slightly upwards. The bridge shifts to D major, changing the mood completely before returning to the minor key.

Beginners should practice the chord transitions first, especially Dm to Bb. Intermediate players can work on the arpeggiated sections, ensuring each note rings clearly. Advanced players can experiment with subtle vibrato and slides to mimic the vocal phrasing.

FAQs

Q. How to play the arpeggios smoothly?

Pluck the strings one by one in order and keep your fingers close to the frets. Avoid moving your arm and try maintaining a rhythm with moving only your wrists.

Q. Why does the song switch between minor and major?

The minor scale brings sadness, while the major parts add hope, matching the song’s emotional journey.

Q. Can I use a pick for this song?

Yes, you can use a pick for the picking patterns but the songs’ authentic feel comes only when fingerpicking is involved.

Q. What effects should I use?

A little reverb and delay help recreate the original’s dreamy sound. 

Listening to Mustafa Mustafa is a musically enriching experience; it’s one of the gems composed by A.R. Rahman. The base tone of the song is pretty simple, yet it is quite impactful. It’s a song that celebrates friendship and youth. 

It’s a classic Indian pop song; as you learn it, you get to connect with a much wider audience, helping you spark familiarity and joy in people of all ages. Originally, the song was in Tamil, but it was so well-loved by youth all over India that they had to release a Hindi version of it as well.

Song Structure 

Introduction: The given introduction is from Mike Walker, who is going to be your guitar instructor for this song lesson. Here, Mike talks about how this song has some really nice reggae music, and it also includes an intense solo as well. Apart from this, Mike also shows you how to tune up a guitar for this song. 

Rhythms and Song Arrangement: This part shows you how to play the rhythms; Mike has divided the rhythm section into two parts to easily help you find out where you need to make shifts in the tempo. In addition to rhythm, Mike also shows you the entire song arrangement from start to finish. 

Song Demo: This is the part where you get to see Mike playing guitar parts of the song with the backing track. 

Discussion on Rhythm: Right here, Mike shows you a typical rhythm technique called reggae, which is pretty common in reggae music; he shows you how to implement it here in 

the song. 

Main Solo: This is the guitar solo lesson; the phrasing used in the solo remains exactly like the one present in the verse section. But as you progress in the solo, you have to learn a very intense lick that isn’t harmonized. 

Sitar Solo: Apart from the guitar solo, this particular song also introduces the sitar solo to listeners. You can play the sitar solo on your electric guitar; Mike will first play each section of the solo and then show you chords to play it. 

Intro Solo and Overdub Licks: The last part of this guitar lesson deals with the intro solo and the overdub licks, which make the song sound more intense and add depth to it. 

Why Learn Mustafa Mustafa By Kadhal Desam Song?

Mustafa Mustafa is a beginner-friendly song due to the fact that it uses accessible chord patterns; it will help you learn transitions and rhythm without being overwhelmed. It also includes a mix of strumming and light percussive rhythm, which helps in improving timing, dynamics, and even coordination. 

Adiyae Kolluthey – Introduction

Welcome to the guitar lesson on Adiyae Kolluthey, a vibrant romantic track from the 2008 Tamil film Vaaranam Aayiram, directed by Gautham Vasudev Menon. This song stands out with its fresh and youthful vibe, beautifully capturing the excitement and innocence of young love. Composed by Harris Jayaraj, Adiyae Kolluthey features the voices of Krish, Benny Dayal, and Shruti Haasan, with lyrics by Thamarai that add a poetic touch to the melody. The song’s lively energy and emotional depth quickly made it one of the most beloved tracks of the film’s soundtrack.

Visually, the song is equally memorable, shot in stunning locations like the University of California, Berkeley, and the scenic San Francisco Bay area. The beautiful backdrops perfectly complement the playful chemistry between the lead actors, Suriya and Sameera Reddy. This combination of heartfelt music and captivating visuals made Adiyae Kolluthey a favorite among fans and helped cement Harris Jayaraj’s place as one of Tamil cinema’s top composers. The song also marked an important moment for Shruti Haasan, establishing her as a strong playback singer in the industry.

Adiyae Kolluthey – Guitar Lesson

In this lesson, Mike Walker takes you through the essentials of playing Adiyae Kolluthey on guitar, using Eb tuning which lowers the pitch a half step from standard tuning. This tuning helps capture the song’s smooth and mellow feel while making some of the chords easier to finger. The main chords you’ll use include power chords like B5, A5, D5, and E5, along with some major chords like C# and F#. Mike breaks down each chord shape slowly so you can get comfortable with the finger placement and maintain the song’s clean tone.

Mike explains that the song’s arrangement relies a lot on these power chords, which give the track a gentle rock edge without overpowering the vocals. The use of power chords instead of full major or minor chords creates a light but driving sound that fits perfectly with the song’s youthful energy. He also points out the smooth transitions between chords like B5 to A5, which require a relaxed hand and practice to sound fluid.

The rhythm of Adiyae Kolluthey is steady and laid-back, sitting comfortably in a 4/4 time signature at a moderate tempo. Mike guides you through the strumming pattern, which combines downstrokes and light upstrokes to keep the momentum moving without becoming too busy. He also offers tips on muting and palm damping to control the tone, which is important to replicate the song’s clean guitar sound. For those looking to add some flair, Mike suggests subtle embellishments using slides and hammer-ons within the chord shapes, making your playing feel more expressive without overcomplicating things.

FAQs

Q. What tuning is Adiyae Kolluthey played in?

The song is played in Eb tuning, which is standard tuning lowered by a half step on every string.

Q. Are power chords difficult to play for beginners?

Not really. Power chords are simpler shapes that focus on the root and fifth notes. With some practice, even beginners can play them smoothly.

Shukran Allah is a timeless romantic ballad that is created with a combination of simplicity, soul, and subtle musicality. The composition is the brainchild of none other than Shankar-Eshaan-Loy, and it effortlessly weaves together elegant instrumentation with heartfelt lyrics. 

This song isn’t flashy, and neither is it complex, but it’s the song you need to learn if you wish to understand how a melody is controlled on guitar and how you are able to express emotions with it. The song is built on a simple yet effective chord progression, which is rooted in C major or D major, making it a beginner-friendly guitar song to learn. 

The gentle acoustic guitar elements in the original recording of the song translate wonderfully when you play this song solo. One of the biggest lessons you will have from this song is developing musical sensitivity. 

Strumming Pattern 

The tonality of the song is gentle, so it requires a light and flowing strumming pattern that compliments its romantic and airy vibe; here is the required pattern that would be best for beginners: D – D U – U D U. 

• D = Down Strum. 
• U = Up Strum. 

When you are practicing this song, make sure you emphasize the second downstroke in order to create a gentle, rhythmic pulse. During the verse section of the song, play the strumming pattern as lightly as possible, or you can even make a switch to fingerpicking for an intimate feel. 

There is an optional strumming pattern that you can follow: D – x U – U D U. 

Here, X is a soft, muted strum; this adds a whole new sound texture to your strumming. 

Why Learn Shukran Allah Song On Guitar?

The song is not just another generic Bollywood number that you learn on guitar; it’s a routine, an exercise that helps you subtly build chord control, making this song a brilliant choice for guitar learners. 

FAQs – Shukran Allah Song Guitar Lesson

Q1. What time signature do you need to follow to play Shukran Allah on guitar? 

Ans. The song follows a 4/4 time signature, which makes it a simple and straightforward guitar song for beginners to learn about rhythm and timing. 

Q2. Is the song Shukran Allah a good song to practice singing and playing guitar at the same time? 

Ans. Yes, due to its steady rhythm and simple chord progression, you don’t have to keep a lot of fret positions in your mind when playing it. In addition to this, the acoustic nature of the song makes it possible for you to experiment with simple arpeggios or even fingerpicking patterns. 

Q3. Can I use chord inversions or higher fret voicings in the song Shukran Allah? 

Ans. Yes, it is possible, but we do not recommend beginners or even intermediate guitar players to try it out because then you have to learn every single inverted or partial chord, which is equivalent to the original one. 

Unlike the introspective ballads that used to be quite popular in the 2000s, this particular song, “Mitwa,” travels harmonically and emotionally. As you learn to play this song on guitar, your guitar instructor, Mr. Ehsaan Noorani, shows you how the melody rises in arcs, resolves gently, and then once again pushes ahead.

If we talk about the composition, the song creates a sense of hope, longing, and emotional momentum, which gives the song its unique identity. The song beautifully blends major-key optimism with moments of tension, which come in the form of transitional chords. This balance keeps the listener emotionally engaged without feeling heavy.

The guitar work you will be learning in this lesson shows you how to use the guitar as a narrative instrument. In verses, you have to keep focus more on rhythm and clarity. On the other hand, in the pre-chorus and chorus, you will learn how to play fuller strums and sustained chords.

Ehsaan Noorani teaches you how to use functional harmony with this song. You will also find out how chords naturally want to move and resolve. For guitar students, it is one of the ideal songs to learn a progression that flows rather than remaining still.

Why Learn Mitwa From Kabhi Alvida Naa Kehna Song On Guitar?

As an educational piece, Mitwa helps you develop musical stamina. In all honesty, it’s a long song, and with each verse it evolves to become more grand. As a result, it feels like running a marathon as you practice this on guitar.

Likewise, it introduces you to the section-based dynamics and builds your confidence in both open and semi-open chord progressions. In case you are a beginner, it’s a song that will take you from beginner to intermediate level of musical thinking.

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FAQs – Mitwa Song From Kabhi Alvida Naa Kehna Guitar Lesson

Q1. Which strumming pattern works best for this guitar song lesson?

Ans. The most common strumming for Mitwa is D – D U – U D – U, the main key here is to learn accent control.

Q2. Are there any chord changes between the verse and the chorus?

Ans. Yes, when you are playing the chorus, you have to use strong resolution chords such as D or D7, which will help you create an emotional lift. You have to keep a contrast between verse and chorus to elevate the song's impact.

Q3. Does this song use any barre chords?

Ans. No, there are no mandatory barre chords for you to learn, but in some cases, you can play Bm. On the other hand, beginners can easily substitute Bm with Bm7.

Q4. What is the biggest technical challenge that learners have to face when practicing Mitwa on guitar?

Ans. The biggest challenge is maintaining an even rhythm while increasing the intensity in the chorus. You have to do this while making sure that you are not rushing through the chords.

In this video lesson J.J. Pattishall teaches how to play the song Lakh Duniya Kahe as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Introduction, Chords and Rhythm, Song Arrangement and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

If needed add some text content with lesson to show on viewer's screen.

Sanam Teri Kasam is one of those songs that just sits with you long after it ends. From the 2016 film of the same name, the song became an instant favorite for people who love intense, emotional love stories. Composed by Himesh Reshammiya and sung by Ankit Tiwari and Palak Muchhal, the track brings out themes of longing, heartbreak, and unshaken devotion. It fits perfectly into the narrative of the film, which is a modern tragic romance. 

What really makes Sanam Teri Kasam stand out is its sincerity. There’s nothing flashy or over-produced about it, it’s just pure emotion, pouring through both the music and the lyrics. Sameer Anjaan’s writing feels personal and poetic, and the vocals carry it all with a kind of soft heartbreak. The song was released at a time when Bollywood was leaning heavily into dance beats and remixes, so a raw, classic-style ballad like this one really struck a chord with audiences. 

Sanam Teri Kasam – Guitar Lesson

Instructor Steve Luciano teaches this easy version of Sanam Teri Kasam with a focus on making it playable and soulful at the same time. You’ll need to place a capo on the 3rd fret for this lesson, which helps match the key of the original while keeping the chords nice and simple. The main chords you’ll use here are Am, C, G, E7, Em, and F. These are all standard open chords, and Steve breaks them down one at a time, pointing out smooth finger transitions and how to let the emotions of the song come through even if you’re just strumming.

The strumming pattern Steve recommends is soft and flowing, following the melody more than a strict beat. It’s the kind of pattern that lets you slow down when the lyrics are heavy and pick up just a bit when the song starts to lift. He also gives guidance on dynamics—when to let the chords ring out and when to dampen them for a more intimate feel. The trick to this song isn’t in speed or flash, but in holding back just enough to let the emotion carry the performance.

Steve also touches on how to approach the E7 and F chords, which might trip up beginners. For E7, he shows how it adds a slight emotional tension before resolving back to Am, and for F, he offers a few fingering options, barre and simplified so you can pick what works for your current level.

One of the best parts of this lesson is how Steve keeps the focus on expression. This is a great song to work on if you want to build emotional connection through your playing, without needing advanced theory.

FAQs

Q. Is this version suitable for beginners?

Yes! The chords are standard open chords, and Steve’s pacing is slow and clear enough for new players to follow along easily.

Q. Do I need to use a capo for this song?

Using a capo on the 3rd fret helps match the pitch of the original and makes the chord shapes easier.

ht fingerpicking for a softer tone.

In this video lesson Steve Luciano teaches how to play the song Luka Chuppi as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Intro, Chords, and Song Arrangement, Rhythm and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!