Chasing Cars
Preview
Introduction
Chords and Rhythm
Main Guitar Part
Intro+Verse 1
Chorus 1+Verse 2
Chorus 2+Verse 3
Chorus 3
Guitar Overdub
Song Arrangement
Vocal Melody
Song Demo
No Description Available
Chasing Cars
Preview
Introduction
Chords and Rhythm
Main Guitar Part
Intro+Verse 1
Chorus 1+Verse 2
Chorus 2+Verse 3
Chorus 3
Guitar Overdub
Song Arrangement
Vocal Melody
Song Demo
Explore More in English Songs
Introduction:
Torrins brings you another heartfelt guitar song lesson I Will Be Here by Steven Curtis Chapman, taught by J.J. Pattishall. This lesson focuses on fingerpicking, chord transitions, and rhythm techniques, making it a great song to develop both your picking accuracy and emotional expression.
Interesting Fact: This song carries deep personal meaning. Chapman wrote it as a promise to his wife during a difficult time when his parents were going through a divorce. It became one of his most beloved songs, offering reassurance and commitment through its lyrics and melody.
Chords & Song Structure
This lesson breaks the song into easy-to-follow sections: Intro & Verse, Chorus, Bridge, Song Demo, Rhythm, and Sing & Play.
Capo is on the 1st fret
Key used is D (relative to capo), actual tuning is Eb
Chords Used:
- Intro & Verse: Dsus2, A7sus4, Bm (a barre chord), Em7, and others
- Chorus: Bm/A, A/G, D/F#, and more
- Bridge: Includes a diminished chord and a piano/instrumental section
J.J. shares some alternatives for the difficult chords such as barre chords.
The chords are arpeggiated, giving the song its signature flow. J.J. carefully explains finger placement and picking techniques to help you achieve the song’s delicate feel.
Fingerpicking & Rhythm Patterns
This song features a beautiful fingerpicking pattern. J.J. breaks it down in detail, ensuring that even beginners can grasp the technique.
For those who find fingerpicking challenging, he also introduces two basic rhythm patterns as an alternative:
- DDUDDUDDUD – A straightforward strumming pattern
- DDUUDDDUUD – Adds syncopation for a more dynamic feel
Verse, Chorus & Bridge Breakdown
- Intro & Verse: J.J. carefully walks through the arpeggiated chords and explains how to maintain a steady rhythm. He also shares a technique to create a flowing fingerpicking style.
- Chorus: The transitions between chords like Bm/A, F#, A/G, and D/F# are broken down step by step. He highlights turnarounds, ensuring smooth movement between sections.
- Bridge: Features a diminished chord, adding tension and resolution to the song. J.J. also explains the piano and instrumental section.
Sing & Play – Coordinating Vocals & Guitar
This lesson doesn’t just teach you how to play the guitar part—it also helps you combine playing with singing. J.J. explains:
- How to sync your strumming or fingerpicking with the lyrics
- Phrasing techniques to match the melody with chord changes
- How to make the song your own while staying true to its essence
Final Song Demo & Play-Along
To bring everything together, J.J. performs the song with a backing track, reinforcing all the techniques covered in the lesson. This play-along section lets you practice along and refine your timing and transitions.
Why Learn I Will Be Here?
- Develops fingerpicking skills – great for improving coordination and technique
- Enhances chord transitions – teaches smooth movement between complex shapes
FAQs – I Will Be Here Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! While the fingerpicking and chord shapes may seem tricky at first, J.J. provides simplified alternatives and a step-by-step breakdown.
Q2: Can I strum instead of fingerpick?
Absolutely. J.J. introduces two strumming patterns for those who prefer a rhythmic approach.
Q3: Do I need a capo?
Yes, place the capo on the 1st fret to match the song’s key.
Introduction:
Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.
Interesting Fact
Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.
Chords & Progression
This song is in the key of D minor and uses both barre and open chords.
Chords include: Dm (barre), Bb, A7, F, and others.
The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.
Song Structure
Each section is covered in detail, including how the chords and rhythms evolve throughout the song.
Intro Rhythm and Bounce Feel
One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.
Riff Rhythm
The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing.
Verse and Chorus – Singing & Playing Together
Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.
Intro Lead and Riffs
The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.
Solo Improvisation
The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.
Main Riff Breakdown
To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.
FAQs – Sultans of Swing Guitar Lesson
Q1: Is this song beginner-friendly?
It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.
Q2: Do I need a capo?
No capo is needed for this version.
Q3: How do I get the “Knopfler feel”?
Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.



























