Cowboys from Hell (Introduction)

In this video lesson Mike Dugan teaches how to play the song Something as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction and Chords, Rhythm and Singing, Bridge, Solo Improvisation and Arrangement and Backing Track. Don't forget to make use of the chords and tabs provided with the song lesson!

Rock

Taught by

Mike Walker

Something

by Mike Dugan

Rock

Taught by

Mike Dugan

Ho Hey

by J.J. Pattishall

Introduction:

This song was originally written and composed during the time of Schultz and Fraites in New York. It was meant to be a kiss-off to disinterested concertgoers. It was the first single from a folk rock band to get certified in the US.

Chords Used in Song Guitar Lesson:

Arpeggios Verse & Chorus Chords: The song is present in the key of C major.

Strumming Pattern:

The most common strumming pattern used for playing this song is D - D - U - D - D:

D = Down strum
U = Up strum
- = Pause (mute or let the chord ring)

The alternative strumming pattern is D - D - U - U - D - U, this adds more guitar movement in the song and makes the guitar play a bit more smooth.

Song Structure:

Introduction: The introduction of the song is by J.J. Pattishall, in here he teaches you the tuning required to play this song on guitar.

Song Arrangement: Here, your guitar instructor talks about the feel of the song and how it helps you play it. In addition, he shares with you all the chords you have to play and how they should be played.

Sing and Play: In this section, you will learn how to time your chords while you are singing.

Song Demo: Finally this is the part where your guitar instructor will show you how to play the entirety of the song with the song running in the background.

In this video lesson Rob Marcello teaches how to play the song Old School as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Lick, Three Arpeggio Section, Pedal Point Section, Old School (Verse), Old School (Pre-Chorus), Old School (Chorus), Old School (Verse 2), Old School (Chorus 2), Old School (Solo) and Last Lick and Arragement. Don't forget to make use of the chords and tabs provided with the song lesson!

Pop

Taught by

J.J. Pattishall

While My Guitar Gently Weeps

by Mike Dugan

Introduction

Tune into another guitar lesson on a popular Beatles song on Torrins.com, While My Guitar Gently Weeps written by George Harrison, taught by Mike Dugan. He makes learning this song fun, easy, and rewarding! He breaks this guitar song lesson into various sections like Introduction, Chords & Rhythm, Verse & Chorus (singing), Advanced Rhythm, and Solo Improvisation.

Fun Fact: George Harrison wrote While My Guitar Gently Weeps as an exercise in randomness after his return from India, where the Beatles studied Transcendental Meditation. Inspired by the idea that nothing is coincidental, he opened a book at random, saw the words "gently weeps," and turned them into one of his most iconic songs.

Chords Used in While My Guitar Gently Weeps Guitar Lesson

The guitar lesson on While My Guitar Gently Weeps is taught using chords like Am, Am/G, D7/F#, to name a few. It also involves some barre chords. Tune in to the complete guitar song lesson to know the rest of the chords that make up this song.

This version of While My Guitar Gently Weeps is played in the key of A minor. The song includes a mix of open and barre chords, adding depth and complexity to the arrangement.

The bridge introduces barre chords like C#m and F#m. Mike shares some great tips on transitioning between these barre chords smoothly, essential for mastering the flow of the song.

Strumming Pattern

For beginners, Mike keeps it simple with an easy 4-down-strum pattern that’s great for building confidence.

For intermediate and advanced players, he introduces a more intricate alternating rhythm:

DUDUDU – accenting beats two and four (like most rock songs) for a more dynamic feel.

Song Structure

The song follows a clear and repeatable structure that gives it a steady flow and allows for expressive variation. It begins with an intro, setting the tone before moving into Verse 1 and Verse 2, which establish the core melody and lyrical theme. The bridge introduces a vocal shift, featuring a touch of falsetto to accommodate the slightly higher notes, adding emotional lift and dynamic contrast. Following this, the guitar solo steps in, showcasing expressive phrasing built on the A minor pentatonic scale. The playing style, marked by smooth vibrato and a warm overdrive tone, is clearly inspired by Eric Clapton’s bluesy sensibilities. The structure then returns to the bridge and another verse, before easing into a jam section. This relaxed closing passage offers space for personal interpretation and creative improvisation, making it a satisfying conclusion to the track..

Mike teaches how to sync your singing with chord changes by accenting the words that align with the next chord. This makes it easier to play and sing simultaneously.

Improvisation Techniques

In the solo section, Mike offers a detailed breakdown of how to use the A minor pentatonic scale to craft expressive, personality-filled solos in the style of Eric Clapton.

He walks you through essential techniques like achieving smooth vibrato, bending notes accurately to stay in pitch, and adjusting your speed and tone to create a polished, professional sound. If vibrato has been a sticking point for you, Mike dedicates extra time to break down the technique in a way that's easy to grasp. And if you’re looking for more practice, our dedicated vibrato lessons are just a click away.

Why Learn While My Guitar Gently Weeps?

Great choice of song for working on barre chord transitions.
The solo section introduces you to classic rock licks, helping you develop a more expressive playing style.

Tips for Better Playing

Keep your strumming hand moving consistently to maintain rhythm.
Focus on clean chord transitions, especially in the bridge.
Practice the solo slowly first, then build up speed gradually.

FAQs – While My Guitar Gently Weeps Guitar Lesson

Q1. Is this song beginner-friendly?

There is a beginner version of this song which focuses on a simple strumming pattern.

Q2. Do I need to use falsetto when singing the bridge?

It’s optional—but using falsetto adds a smoother tone. Mike shows how to adjust based on your vocal range.

easy

Rock

Taught by

Mike Dugan

Old School

by Rob Marcello

hard

Neoclassical Rock

Taught by

Rob Marcello

Photograph

by Pranay Verma

hard

Taught by

Pranay Verma

Love Story

by J.J. Pattishall

Pop

Taught by

J.J. Pattishall

Until I Found You

by Pranay Verma

Pop rock, Pop, Singer-Songwriter

Taught by

Pranay Verma

Use Somebody

by Steve Luciano

In this video lesson Steve Luciano teaches how to play the song Use Somebody as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Chords, and Rhythm. Don't forget to make use of the chords and tabs provided with the song lesson!

If needed add some text content with lesson to show on viewer's screen.

Rock

Taught by

Steve Luciano

Similar Metal Songs

For Whom the Bell Tolls

by Mike Walker

Taught by

Mike Walker

Fear of the Dark

by Mike Walker

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Taught by

Mike Walker

More Than Words

by Mike Walker

Taught by

Mike Walker

Fear of the Dark Solos

by Mike Walker

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Taught by

Mike Walker

Symphony of Destruction

by Clay Foster

Introduction:

Torrins brings you an electrifying guitar lesson—Symphony of Destruction by Megadeth, taught by Clay Foster. This heavy-hitting metal track is part of our guitar song lesson series and is broken down into easy-to-follow sections.

Fun Fact: In an interview, vocalist Dave Mustaine shared that the lyrics for Symphony of Destruction were sparked by a headache he got while driving home. He scribbled the first lines on the back of a sushi receipt—“My metal brain’s corroding, my head is going to explode.” That spontaneous moment led to one of Megadeth’s most iconic songs, recorded on their fifth studio album Countdown to Extinction in 1992.

Song Arrangement

The song is taught in separate segments so you can master each part before moving to the next.

The song is in the key of E.

Verse

Verse is built around the F power chord and an open E power chord, along with other chords.

Downstrokes and palm muting are used in the verse—make sure to mute the strings to avoid letting notes ring out too long. Clay shares techniques like using your thumb or extra fingers to stop the sound cleanly.

Pre-Chorus

Features open palm muting and chromatic downs, creating that tight, chugging rhythm. Our lessons have a 3-angle video setup so you can clearly see hand positions and copy along easily.

Chorus

This section opens up with ringing E chords and a chromatic descending run. Chords like Bb, G#, and the D power chord makes the chorus sound more intense. Though it’s slightly more complex than the verse, Clay carefully breaks down the finger positioning and covers some fingerpicking techniques to help you through it.

After the first chorus, the main riff returns and leads into the second verse and pre-chorus, just like earlier.

The second chorus is a bit longer. The first half mirrors the first chorus, while the second half introduces new elements. Clay walks you through the difference so you can follow along confidently.

Solo Lesson

Clay breaks down the guitar solo into manageable sections.

The first part has a bluesy riff with vibrato, bending, and palm muting.
The second part is a 16-note rhythmic figure built around the Am6 chord, featuring some sliding techniques.
Tune into the lesson to learn each section in detail and pick up essential phrasing skills along the way.

Sound and Tone

To capture the song’s feel, Clay dives into the tone settings. The tone is mid-rangy, which is a signature sound of Marty Friedman. Clay recommends listening to some of Friedman’s work to understand the sweet, expressive tone he’s known for.

For gear settings, Clay suggests using the middle pickup to replicate that tone more accurately.

Song Demo

The lesson wraps up with a full song demo, where Clay ties everything together. You can play along with him to practice transitions, polish your technique, and check your accuracy in real time.

FAQs – Symphony of Destruction Guitar Lesson

Q1: Is this song beginner-friendly?

Yes. While it has a few technical sections, the lesson breaks everything down clearly and provides enough guidance for newer players.

Q2: Do I need specific gear for the tone?

Clay suggests using a mid-range-focused setting with the middle pickup to get closer to Marty Friedman's tone. However, you can start with what you have and tweak as needed.

Q3: Is the solo hard to learn?

It’s approachable when broken into parts. Clay walks you through each phrase, so with some practice, you’ll be able to nail it.

moderate

Metal

Taught by

Clay Foster

Wanted Dead or Alive

by Mike Walker

Taught by

Mike Walker

Aces High

by Mike Walker

Aces High - Introduction

Aces High" is the eleventh single by legendary British heavy metal band Iron Maiden, written by bassist Steve Harris for their 1984 album Powerslave. The song's lyrics vividly depict a British RAF pilot's experience during the Battle of Britain (1940), with the band's mascot Eddie appearing as a Spitfire pilot on the single artwork. The track has become one of Iron Maiden's most iconic songs, featured in numerous video games and extreme sports films.

The song's B-side contains a cover medley of Nektar's "Crying in the Dark" and "King of Twilight" from their 1972 album. The music video, filmed during the World Slavery Tour in Poland, incorporates authentic Battle of Britain newsreel footage. This powerful imagery became a staple of Iron Maiden's live shows, often paired with Winston Churchill's famous wartime speeches as an introduction.

Aces High Guitar Lesson

This lesson with Mike Walker teaches you how to play "Aces High" properly. The song keeps changing keys - it starts in C, then goes to A, then G, then back to C. This makes the song exciting but tricky to play. When the key changes, the mood of the song changes too, just like how a dogfight has calm moments and crazy moments.

The main riff uses something called harmonised guitars - that means two guitars play the same tune but at different pitches, making a cool twin sound. The rhythm is called "galloping" because it goes fast like a horse (down-down-up, down-down-up). You need to palm mute the strings near the bridge to get that tight, machine-gun sound Iron Maiden is famous for.

The solos use a special scale that sounds Middle Eastern. It's basically the minor scale but with the second note lowered (so in E minor, you play F natural instead of F#). This makes the solo sound tense and dramatic, which goes well for a war song. The fast parts need alternate picking - down-up-down-up - to play cleanly at high speed.

For beginners, start by learning just the power chords (C5, A5, G5) and the galloping rhythm slowly. The chords are simple, but switching between them fast is hard. Advanced players should work on the twin guitar harmonies and the quick key changes. The song is tough, but satisfying to play once you get it right, like most metal songs.

FAQs

Q. What tuning is used in Aces High?

The original recording uses Eb tuning (all strings tuned half-step down) but can be played in standard tuning.

Q. How to play the galloping rhythm?

Use alternate picking with emphasis on the downstrokes: Down-Down-Up pattern repeated.

Q. Is this song suitable for beginners?

The simplified power chord version is accessible, but the full arrangement requires intermediate skills.

Taught by

Mike Walker

Unforgiven

by Bill Peck

Unforgiven left a mark in the history of the rock and metal genre. This song was released by Metallica in 1991, and it is part of their self-titled album; the other name of the album is Black Album. This particular track marks a significant moment in revolutionising the sound of the band, and apart from this, it also changed the entire landscape of metal music.

The reason Unforgiven became so iconic and one of the best songs ever written in the metal genre is that, with this song, Metallica showcased that they have moved from their thrash roots and are now moving towards creating more melodic and introspective style music while still maintaining their signature heavy sound.

Furthermore, the verse sections are built on haunting, clean guitar arpeggios, which are then layered with James Hetfield’s raw and reflective vocals. Kirk Hammett’s guitar solo present in this song deserves all the praise in the world; it's dripping with emotions and elevates the sombre tone of the song without derailing the intimacy.

Why Learn Unforgiven By Metallica Song On Guitar?

The haunting intro requires you to use clean, arpeggiated chords, which also helps you develop precision, timing and smooth chord transitions, which is something essential for both acoustic and electric guitar playing.

It’s a song that flips the classic metal structure; in the beginning, it is soft and melodic and then the chorus kick-in and the entire sound gets distorted and heavy. As you practice playing this song on guitar, you will understand how to transition from gentle playing to powerful riffing in no time, and that too with confidence.

The chorus introduces you to beginner-friendly power chords in addition to palm muting, which is considered to be the main building block for anyone who wishes to master rock and metal rhythm on their guitar.

In this guitar lesson, you are going to learn melodic solos and emotive phrasing; these two complex techniques make you move beyond mechanical playing. It helps you inject feelings and storytelling in your guitar solos, which is a mark of a mature guitarist.

FAQs-Unforgiven By Metallica Song Guitar Lesson

Q1. Which tuning should I be using for learning the song Unforgiven by Metallica on guitar?

Ans. You should practice playing Unforgiven by Metallica in standard tuning (E A D G B e); this will help you get clean, arpeggiated and even distorted parts perfectly.

Q2. What key is the song Unforgiven by Metallica present in?

Ans. You can practice this song in the key of A minor; this particular key choice will give the song its dark and brooding voice, which also compliments its introspective mood, making it a perfect song to exercise mastering dynamics and tone control.

Taught by

Bill Peck

Overactive Imagination

by Bobby Koelble

Taught by

Bobby Koelble

Take a Look Around (MI Theme)

by Mike Walker

Introduction

Limp Bizkit recorded the song “Take a Look Around” in the year 2000. It was their first single and tenth track of the album called Chocolate Starfish and the Hot Dog Flavored Water.

This particular song ranked as number six and number four by Louder Sound and Kerrang, respectively, as Limp Bizkit's greatest songs of all time.

In this video lesson Mike Walker teaches how to play the song Take a Look Around (MI Theme) as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The song is in the key of A, and the tempo of the song is 100 bpm.

Song Structure

Introduction: In this introduction, Mike Walker, your guitar instructor, is going to show you the tuning settings for the song. You will also get to know how to play this song in one and a half steps down.

Song Arrangement: Here you will learn about the four bar space that comes in the intro and the second verse, which is something you get to hear a lot in Mission Impossible movies in the background.

Song Demo: This is the final section of the guitar lesson, here you will get to see how to play the guitar chords alongside the song.