Introduction and Tuning

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Introduction

This is the most iconic instrumental theme of one of the greatest mafia movies ever produced by Hollywood. The theme was produced by Nino Rota for the film The Godfather in 1972. The lyrics of the song were written by Larry Kuski, and the original song was composed by Nino Rota. The English version of the song was sung by Angela Bacari. 

In this video lesson Mike Walker teaches how to play the song Godfather Theme as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction and Chords, Solo, Song Demo and Improvisation. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: For the most part, the song is in the key of F. 

Song Structure 

Introduction and Chords: In this section of the guitar lesson Mike walker your guitar instructor shows you how to tune the guitar for this song. Likewise, Mike also talks about which chord progression you need to follow for this song. 

Solo: The melody of Godfather theme is divided in 2 sections and here Mike shows you how to play both of them separately and as one after you master both the parts. 

Song Demo: In the song demo, you will learn how to play the entirety of the song with the backing track. Mike also highlights the importance of improvisation, which you should be doing, as the song playing the iconic tune on the guitar is a bit more challenging than playing other rock and metal songs. 

Improvisation: Here, you will learn all the improvisation techniques that Mike has used to play this song. Furthermore, you will learn the alternative scales, which come in handy during your initial plays if you are a beginner. 

Introduction:

In this video lesson Mike Walker teaches how to play the song Home as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning. Home is the coronation song and a debut single from the winner of American Idol season 11, Phill Phillips. The song was co-written by Drew Pearson and Greg Holden. Phill performed this song for the first time on May 12th, 2012, when he was giving the season's final performance. 

Song Structure:

Introduction: The introduction consists of tuning requirements for the guitar and the basics of what you need to play this song. 

Song Arrangement: This part helps you learn about the intro section. Also, Mike shows you two different picking patterns that you can use for this song and how to move back and forth between the two patterns. 

Song Demo: In this section Mike your guitar instructor is going to teach you how to play the guitar parts of the song alongside backing tracks. 

Vocal Melody: This is the final section of this guitar lesson, and it's the added bonus where Mike teaches you how to play the vocal melody which is present in the song. 

Chords Used in Song Guitar Lesson: The entire song is written in the key of C major with a bright tempo.

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Introduction:

Smooth By Santana is a mix of rock, blues, and it combines some melodies of Latin rhythms as well. So if you are someone who is interested in learning the ways of Santana this should be a great starting point for your musical journey. 

Fun Fact: In the beginning the song was called Room 17 and the idea of the song came to the mind of Itaal Shur, but then lyrics were all take out from the song and it was given to Rob Thomas, who completely re-wrote the song and changed its original melody, that’s how Smooth came into existence by Santana. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The arpeggios for this song are as follows: 

e|------1-------------|

B|----3---3----------|

G|--2-------2--------| 

D|--------------------| 

A|--------------------| 

E|--------------------|

Strumming Pattern 

There are two strumming patterns for this song, the first one is pretty basic and you can play it like this: DD UU DU. 

• D = Down Strum 
• U = Up Strum

Or you can play this version which adds more groove to the song: DD X UDU. 

• D = Down Strum 
• U = Up Strum
• X = Muted Strum 

Song Structure 

Introduction: In this introduction, Mike is going to show you how to tune up your guitar for this song. 

Song Arrangement: Here, you will learn about the different guitar rhythms that you will be following as you play the song. Mike starts explaining every rhythm starting with the intro section. 

Song Demo: Over here, Mike is going to show you how to play the guitar parts of the song with the backing track. 

Solo 1: From this part, you will start learning how to play different solos which come in the song. This is the first solo performed by Santana in the first part of the song. 

Overdub Licks: This particular section shows how to play a particular lick which is being played at the 32 second of the track. 

Solo 2: This is the second solo from the song. 

Solo 3: Solo which comes after the verses. 

Outro Solo: This one is the last solo which Santana played and it was used as an outro for the song. 

Why Learn Smooth By Santana?

Carlos Santana is known throughout the world for his amazing phrasing and his ability to sustain heavy tones on the guitar. As you learn this song, you will get to know about techniques like Vibrato, sustain, melodic soloing and smooth transition between the lead and the rhythm of the song. 

FAQs-This Song Guitar Lesson

Q1. Who originally sang “Smooth?”

Ans. Smooth was performed by Santana & Rob Thomas who were part of a band called Matchbox Twenty. This song was released as a lead single from the 1999s studio album, Supernatural. 

Q2. What made Santana so famous in the music industry? 

Ans. Santana became much more popular after their incredible set which they performed live at Woodstock in 1969. In that same year, the band also released their self-entitled LP as well. 

Q3. Is Santana considered to be a good guitarist of his time? 

Ans. Santana is known to be the man who invented the Latin rock guitar genre, making it stand as one of the best of his generation.