No Description Available
Explore More in English Songs
Introduction:
Get ready to learn You Send Me by Sam Cooke with instructor Mike Dugan on Torrins. This lesson covers everything from basic chords and strumming patterns to advanced solo techniques, making it suitable for both beginners and more experienced players. Mike breaks down the song step-by-step, helping you match your vocals with the chords and refine your rhythm for a polished performance.
Fun Fact: This was Sam Cooke’s debut single and it was a glorious debut– it peaked at number 1 position on both Billboard's Rhythm & Blues Records chart and the Billboard Hot 100. It was also named as one of the 500 most important rock and roll recordings by the Rock & Roll Hall of Fame.
Chords and Techniques Used in You Send Me
- Key: The original song is in the key of F for vocals, but Mike moves it to the key of G since it’s easier to follow on the guitar.
- Chords Used:
- G, D or D7, Am, and others
- He explains easy chord transitions and provides alternatives for beginners struggling with barre chords.
- Strumming Pattern:
- For Beginners:
- Use downstrokes, with two strums per chord for the verse.
- The verse uses open chords, with downstrokes on the numbers and upstrokes on the "and" counts.
- Tip: Don’t force the upstrokes—keep them light and natural.
- For Advanced Players:
- Mike demonstrates an advanced rhythm pattern using downstrokes with a triplet feel.
- He explains how to create a smoother, more dynamic strumming effect.
- For Beginners:
Song Structure
- Verse 1 and Verse 2: The two verses follow the same chord pattern and strumming technique. He also teaches how to match your vocals with the chords for a cohesive sound.
- Bridge: The bridge includes barre chords, but Mike teaches open chord alternatives for beginners. He explains the correct positioning for barre chords in detail to help you improve your grip and clarity.
- Solo Section: The solo is in the key of G major. The lead follows the relative minor of G (E minor), using the E minor pentatonic scale. For advanced players, he demonstrates a creative technique that makes the solo sound very close to the original recording.
Why Learn You Send Me?
This lesson not only teaches you how to play the song but also helps you develop better rhythm, improve chord transitions, and explore creative soloing techniques. The mix of beginner-friendly guidance and advanced options makes it a well-rounded learning experience.
Tips to Improve Your Playing
- Start slow with the strumming pattern to build muscle memory.
- Focus on smooth transitions between chords.
- For the solo, practice the E minor pentatonic scale separately before combining it with the backing track.
- Follow along with the tabs provided for a comprehensive learning experience.
FAQs – You Send Me Guitar Lesson
Q1. Is this song suitable for beginners?
Ans: Yes! The lesson includes beginner-friendly chords and strumming patterns, along with alternatives for challenging barre chords.
Q2. What’s the best way to improve my chord transitions?
Ans: Start slowly and focus on switching between two chords at a time before increasing your speed.
Q3. Do I need a capo for this song?
Ans: No capo is required, but you can experiment with different chord voicings to match your vocal range.
Introduction
Tune in to a detailed guitar song lesson on What It’s Like, a single by the American musician, Everlast. This 1998’s release was the lead single from his second studio album called Whitey Ford Sings the Blues.
This guitar song lesson is taught by Mike Walker, an experienced musician and instructor at Torrins. He breaks the lesson down into sections: Introduction, Intro Chord Progression, Verse & Chorus, Arrangement, Interlude, and Outro.
Mike Walker teaches the What It’s Like Song guitar lesson using just 3 chords, two of which are Dm and C. No capo is needed!
Chords Used in What It's Like Guitar Lesson
- This song primarily revolves around three simple chords, making it accessible for players of all levels.
- The strumming pattern follows a DDU rhythm, adding a steady groove.
Strumming & Picking Techniques
The song subtly blends strumming and arpeggiation, giving it a dynamic and textured feel. The intro is centered around a D minor chord, with the occasional addition of Dsus4 to introduce subtle variation. Arpeggiated picking is used here to create a melodic and flowing texture, setting the tone for the rest of the song.
In the verse, the D minor chord continues to anchor the progression, while an arpeggiated riff adds depth and makes it more rhythmic.
Moving into the chorus, the strumming follows a consistent DDU (Down-Down-Up) pattern, repeated four times. On the fourth repetition, however, there’s a variation introduced at the end which is a distinctive 8-note strum pattern that adds energy and creates a pumping, driving effect.
Song Structure & Arrangement
The song builds gradually, with familiar sections repeating and subtle changes keeping things interesting. Here's a simple breakdown of how the song flows:
- Intro: A catchy opening riff sets the mood and is played four times.
- Verse 1: The main melody kicks in and repeats six times, helping you settle into the groove.
- Chorus: This part brings in energy. It’s played four times, with a twist added on the fourth round to keep things fresh.
- Interlude: A gentle picking section gives you a short breather before heading back into the main theme.
- Verse 2: Similar to the first verse, but extended — this time it's played eight times.
- Chorus: Returns with the same pattern, repeated four times.
- Bridge: Feels like a throwback to the intro, but with a longer run — played six times.
- Verse 3: Back again for eight repetitions.
- Final Chorus: Played three times as the song winds down.
- Outro: The song gradually fades out, giving it a smooth ending.
Mike shares a tip for those struggling with Fmaj7? Try leading with your third finger—this helps you get the note covered first, giving you an extra split second to position the rest of your fingers.
Why Learn What It’s Like?
- This lesson covers both strumming and fingerpicking, making it great for building dexterity.
- The song’s structure teaches you how to transition smoothly between sections and add dynamics to your playing.
- This song is a fantastic example of storytelling through music, giving you a chance to add emotion to your performance.
FAQs – What It’s Like Guitar Lesson
- Q1: Is this song beginner-friendly?
- Yes! While the Fmaj7 chord can be tricky, the slow tempo and repetitive structure make it easier to master.
- Q2: How can I improve my arpeggiation?
- Start slow, focus on even picking, and gradually increase speed.
- Q3: Do I need a capo?
- No capo is required for this version.
Fun Fact: The song became Everlast’s biggest solo hit after he left the trio House of Pain and transitioned from rap to a bluesy, acoustic hip-hop style, which was a bold and unexpected move at the time!
Introduction:
Torrins brings you an exciting lesson on The Thrill Is Gone, the legendary blues song made famous by B.B. King. Taught by Mike Dugan, this lesson is perfect for those looking to master both rhythm and lead guitar in a blues setting. You'll learn everything from chords and rhythm to soulful lead fills and solo techniques.
Fun Fact: While most people associate "The Thrill Is Gone" with B.B. King, the song was originally written and recorded by Roy Hawkins and Rick Darnell. However, B.B. King’s version became a massive hit, earning him a Grammy Award for Best Male R&B Vocal Performance in 1970 and a spot in the Grammy Hall of Fame in 1998.
Chords & Rhythm
This lesson starts by breaking down the essential chords used in the song. The song is in the key of B minor, incorporating barre chords like Em, F#7, and others in a 12-bar blues progression. Mike explains the finger placements for each chord, ensuring clarity for both beginners and advanced players.
The rhythm follows a straightforward 4-feel, meaning it doesn’t use shuffle or swing. Mike provides an easy method to simplify the rhythm, explaining the accents and muting techniques that bring the groove to life.
Sing and Play Technique
One of the key elements of this song is matching vocals with guitar playing. The song follows a typical blues structure where the first line is repeated, making it essential to synchronize your playing with the melody. Mike shares helpful tips on keeping time and smoothly integrating vocals with guitar.
Solo & Lead Fills
Next, we dive into the iconic solo heard in the introduction. The solo is based on the B minor pentatonic scale, and Mike walks through each lick, ensuring you understand the phrasing and feel that make B.B. King’s style so expressive.
Following the solo lesson, the instructor covers lead fills, which are played in between vocal phrases. He sticks to the B minor pentatonic scale, showing how to create emotional lead parts.
Song Demo & Final Arrangement
The lesson concludes with a full song demo, allowing you to hear all the elements come together. The final arrangement follows the classic 12-bar blues progression, with a structure of intro, two verses, solo, two verses, and outro. Mike plays along with the backing track, reinforcing everything covered in the lesson.
Why Learn "The Thrill Is Gone"?
- Great way to practice 12-bar blues progressions.
- Helps improve lead guitar phrasing and soloing.
- Perfect for learning how to sing and play simultaneously.
FAQs -The Thrill Is Gone Guitar Lesson
Q1. Is this song beginner-friendly?
Yes! While some barre chords are involved, Mike provides tips to make them easier.
Q2. Do I need a capo for this lesson?
No capo is required!
Q3. What’s the best way to practice lead fills?
Start slow and break the fills into smaller sections. Play along with the backing track to develop feel and timing.
Similar Metal Songs
Introduction:
Torrins brings you an in-depth guitar lesson on Zero Tolerance by Death, taught by none other than Bobby Koelble—one of the original guitarists on the track. This lesson dissects the song’s intricate riffs, multiple solos, and unique techniques to help you master this classic death metal piece.
Fun Fact: The title Zero Tolerance was later used for two compilation albums released under Chuck Schuldiner’s name, featuring rare demo material from both Death and Control Denied.
Tuning and Song Structure
- Standard tuning, down a whole step.
- Multiple solos from both Chuck Schuldiner and Bobby Koelble.
- This Lesson is structured into key sections: Introduction, Intro Riff, Solo-1 (Chuck), Chorus, Bridge, Main Solos (Chuck & Bobby), Solo 2 (Bobby), Song Demo, and Final Note on Chorus.
- Make sure to use the provided chords and tabs to follow along!
Breaking Down the Song
Intro Riff
- Mostly in the key of E minor.
- Straightforward riff featuring power chords, including low E power chords.
- Incorporates muted string techniques for a tight and punchy sound.
First Solo (Chuck Schuldiner)
- Simple power chord progression in the background, one of which is C.
- Features an E minor major 7 arpeggio.
- Chuck was known for focusing on feel rather than strict technical terms—tune into the lesson for an in-depth breakdown!
Chorus
- Includes a riff and a melody.
- Has a slow tempo (for a Death song), making it one of the easier riffs to play.
- Features low E power chords, single notes, and palm-muted sections, along with other chords.
Bridge
- A relatively easy section featuring some power chords and palm-muted notes.
- Watch the lesson to master the additional chords!
Main Solo (Chuck Schuldiner)
- Opens with a harmonized melodic lick up the 3rd.
- Uses the A harmonic minor scale.
- Bobby shares valuable insights on writing melodic solos—a must-watch for aspiring songwriters.
Main Solo (Bobby Koelble)
- Played in F# minor.
- Starts with an introductory lick harmonized up a 5th, then shifts to a minor 3rd harmony.
- Solo is broken down into multiple digestible sections for easy learning.
Solo 2 (Bobby Koelble)
- A short but technical solo occurring between the verse and chorus.
- Starts with a C note and a tapped harmonic.
- This section covers artificial harmonics.
Final Note on Chorus
- Discusses the background chords heard in the final chorus.
- Bobby teaches unique finger positioning techniques to recreate the exact sound.
Song Demo & Summary
To wrap it all up, Bobby plays the full song with a backing track, demonstrating how all the sections come together.
Why Learn Zero Tolerance?
- Learn palm muting, power chord progressions, and harmonized melodies.
- Master multiple solo styles, from Chuck’s emotive phrasing to Bobby’s technical intricacies.
- Get valuable songwriting and soloing insights from an original artist of the song.
FAQs – Zero Tolerance Guitar Lesson
Q1. Is this lesson beginner-friendly?
- This lesson leans more towards intermediate to advanced players.
Q2. How can I improve my palm muting technique?
- Focus on muting with the side of your palm near the bridge while maintaining a tight, controlled attack.
Q3. Are tabs provided for the lesson?
- Yes! The chords and tabs included will help you nail every section.
Introduction:
Torrins brings you an electrifying guitar lesson—Symphony of Destruction by Megadeth, taught by Clay Foster. This heavy-hitting metal track is part of our guitar song lesson series and is broken down into easy-to-follow sections.
Fun Fact: In an interview, vocalist Dave Mustaine shared that the lyrics for Symphony of Destruction were sparked by a headache he got while driving home. He scribbled the first lines on the back of a sushi receipt—“My metal brain’s corroding, my head is going to explode.” That spontaneous moment led to one of Megadeth’s most iconic songs, recorded on their fifth studio album Countdown to Extinction in 1992.
Song Arrangement
The song is taught in separate segments so you can master each part before moving to the next.
The song is in the key of E.
Verse
Verse is built around the F power chord and an open E power chord, along with other chords.
Downstrokes and palm muting are used in the verse—make sure to mute the strings to avoid letting notes ring out too long. Clay shares techniques like using your thumb or extra fingers to stop the sound cleanly.
Pre-Chorus
Features open palm muting and chromatic downs, creating that tight, chugging rhythm. Our lessons have a 3-angle video setup so you can clearly see hand positions and copy along easily.
Chorus
This section opens up with ringing E chords and a chromatic descending run. Chords like Bb, G#, and the D power chord makes the chorus sound more intense. Though it’s slightly more complex than the verse, Clay carefully breaks down the finger positioning and covers some fingerpicking techniques to help you through it.
After the first chorus, the main riff returns and leads into the second verse and pre-chorus, just like earlier.
The second chorus is a bit longer. The first half mirrors the first chorus, while the second half introduces new elements. Clay walks you through the difference so you can follow along confidently.
Solo Lesson
Clay breaks down the guitar solo into manageable sections.
- The first part has a bluesy riff with vibrato, bending, and palm muting.
- The second part is a 16-note rhythmic figure built around the Am6 chord, featuring some sliding techniques.
- Tune into the lesson to learn each section in detail and pick up essential phrasing skills along the way.
Sound and Tone
To capture the song’s feel, Clay dives into the tone settings. The tone is mid-rangy, which is a signature sound of Marty Friedman. Clay recommends listening to some of Friedman’s work to understand the sweet, expressive tone he’s known for.
For gear settings, Clay suggests using the middle pickup to replicate that tone more accurately.
Song Demo
The lesson wraps up with a full song demo, where Clay ties everything together. You can play along with him to practice transitions, polish your technique, and check your accuracy in real time.
FAQs – Symphony of Destruction Guitar Lesson
Q1: Is this song beginner-friendly?
Yes. While it has a few technical sections, the lesson breaks everything down clearly and provides enough guidance for newer players.
Q2: Do I need specific gear for the tone?
Clay suggests using a mid-range-focused setting with the middle pickup to get closer to Marty Friedman's tone. However, you can start with what you have and tweak as needed.
Q3: Is the solo hard to learn?
It’s approachable when broken into parts. Clay walks you through each phrase, so with some practice, you’ll be able to nail it.
If You Like Joe Satriani, You'll Love These
Introduction
Join our expert instructor, Bobby Koeble, for an in-depth lesson on "Always With Me, Always With You" by Joe Satriani. This song is a lyrical masterpiece known for its challenging legato-style licks and smooth melodic phrasing. This intermediate to advanced-level lesson will walk you through every section of the song, helping you master both the technical and emotional elements that make it so iconic.
Interesting fact: Joe Satriani wrote "Always With Me, Always With You" as a heartfelt tribute to his wife. Unlike many of his other complex, high-energy tracks, this song stands out for its melodic simplicity and emotional depth. Satriani has said that the song represents a peaceful and constant connection with his wife, capturing the feeling of always being together no matter the distance.
Bobby has broken down the song lesson into various sections for a detailed understanding.
- Introduction
- Separate lessons for Solo section 1-6
- Conclusion and backing track
Chords Used
This song is in the key of B major and follows a 3/4 time signature. Some of the key chords used are:
- B11 – Uses the E string for added depth.
- E major – Bobby teaches a unique fingering that differs from standard chord shapes.
- G# minor and F#sus4 – Essential for the song’s harmonic feel.
Tune into the song lesson to learn the rest of the chords that make up this song.
Strumming Pattern
The rhythm of this song is signature to the tune. It follows a strict 8-note rhythm with incorporated techniques such as:
- Palm muting
- Arpeggios
- Sliding
Bobby also shares alternative ways to approach the rhythm so you can find what works best for you.
Song Structure
This song features a flowing, solo-driven structure:
Intro: It has a lyrical melody featuring legato-style licks
Solo Section 1: It is played in the key of B major and incorporates harmonics, vibrato, and sliding.
Solo Section 2: Moves higher up the neck and incorporates heavy use of vibrato and smooth phrasing.
Solo Section 3: This section has a harmony and melody change and is slightly longer and more complex. It introduces left-hand legato techniques.
Solo Section 4: Main melody moves up an octave and incorporates two-handed tapping.
Solo Section 5: It is the most rhythmically challenging part that includes double stops and varied phrasing.
Solo Section 6: Returns to the earlier melody with subtle variations in slide and inflexion. It has a fast legato-based lick to close out.
Outro: Bobby wraps up the lesson by playing along with the backing track
Why Learn This Song?
- Master left-hand legato techniques
- Develop precise control over sliding and vibrato
- Incorporate bluesy elements into your playing
- Build confidence with soloing and tapping
FAQs- Always With Me, Always With You Song Guitar Lesson
Q1. Is this song suitable for beginners?
No, this lesson is best for intermediate to advanced players due to the complex legato and tapping techniques.
Q2. How can I improve my sliding and vibrato?
Focus on timing and pressure consistency. Bobby shares detailed tips on mastering both.


























