Explore More in English Songs
Introduction
Join our expert instructor, Bobby Koeble, for an in-depth lesson on "Always With Me, Always With You" by Joe Satriani. This song is a lyrical masterpiece known for its challenging legato-style licks and smooth melodic phrasing. This intermediate to advanced-level lesson will walk you through every section of the song, helping you master both the technical and emotional elements that make it so iconic.
Interesting fact: Joe Satriani wrote "Always With Me, Always With You" as a heartfelt tribute to his wife. Unlike many of his other complex, high-energy tracks, this song stands out for its melodic simplicity and emotional depth. Satriani has said that the song represents a peaceful and constant connection with his wife, capturing the feeling of always being together no matter the distance.
Bobby has broken down the song lesson into various sections for a detailed understanding.
- Introduction
- Separate lessons for Solo section 1-6
- Conclusion and backing track
Chords Used
This song is in the key of B major and follows a 3/4 time signature. Some of the key chords used are:
- B11 – Uses the E string for added depth.
- E major – Bobby teaches a unique fingering that differs from standard chord shapes.
- G# minor and F#sus4 – Essential for the song’s harmonic feel.
Tune into the song lesson to learn the rest of the chords that make up this song.
Strumming Pattern
The rhythm of this song is signature to the tune. It follows a strict 8-note rhythm with incorporated techniques such as:
- Palm muting
- Arpeggios
- Sliding
Bobby also shares alternative ways to approach the rhythm so you can find what works best for you.
Song Structure
This song features a flowing, solo-driven structure:
Intro: It has a lyrical melody featuring legato-style licks
Solo Section 1: It is played in the key of B major and incorporates harmonics, vibrato, and sliding.
Solo Section 2: Moves higher up the neck and incorporates heavy use of vibrato and smooth phrasing.
Solo Section 3: This section has a harmony and melody change and is slightly longer and more complex. It introduces left-hand legato techniques.
Solo Section 4: Main melody moves up an octave and incorporates two-handed tapping.
Solo Section 5: It is the most rhythmically challenging part that includes double stops and varied phrasing.
Solo Section 6: Returns to the earlier melody with subtle variations in slide and inflexion. It has a fast legato-based lick to close out.
Outro: Bobby wraps up the lesson by playing along with the backing track
Why Learn This Song?
- Master left-hand legato techniques
- Develop precise control over sliding and vibrato
- Incorporate bluesy elements into your playing
- Build confidence with soloing and tapping
FAQs- Always With Me, Always With You Song Guitar Lesson
Q1. Is this song suitable for beginners?
No, this lesson is best for intermediate to advanced players due to the complex legato and tapping techniques.
Q2. How can I improve my sliding and vibrato?
Focus on timing and pressure consistency. Bobby shares detailed tips on mastering both.
Introduction
Get ready to master another hit song on Torrins—If It's Love by Train. This moderate-level lesson is taught by Steve Luciano, who breaks down the song into easy-to-follow sections. You'll learn about the chords, strumming patterns, and intricate techniques that make this song so engaging. Steve also shares detailed tips on finger placements and rhythm to help you recreate the authentic feel of the original track.
Fun Fact: If It's Love was written on the same day as Train's hit Hey, Soul Sister in New York City. Pat Monahan wrote it as a love song for the band's long-time fans, thanking them for their unwavering support over the years.
Chords Used in If It's Love
The song is tuned half a step down and features a mix of standard and suspended chords. Some of the key chords used include:
- G triad
- G chord
- Gsus4
- Csus4
- D4
- Dsus/F#
- G/B
Tune in to the lesson to learn the other chords that make up this song. Steve carefully explains the finger placements for these chords, especially complex chords like Dsus/F#, to ensure you get the right tone.
Strumming Pattern
The song starts with a drum section, and Steve demonstrates how to simulate that drum feel using strumming techniques.
- In the beginning, the rhythm follows a 16th note pattern: DUDUDUD
- As the song progresses, the pattern shifts to: DDUUUD
Steve emphasises the importance of keeping your right hand moving to maintain a consistent rhythm. He also explains how to incorporate sliding and arpeggios into your strumming to enhance the song's texture.
Song Structure
If It's Love follows a clear and structured format. Tune in to the lesson to understand the arrangement of the song.
In the beginning, Steve uses just 3–4 chords, making it approachable for most players.
As the song progresses, he introduces more complex chords like Dsus/F#, adding depth to the arrangement
Steve concludes the lesson by playing along with the song, demonstrating smooth transitions between sections.
Improvisation Techniques
For more advanced players, Steve teaches how to improvise over the progression using slides and arpeggios. He also explains how to replicate the original feel of the song by experimenting with the rhythm and strumming intensity.
Why Learn If It's Love?
This song is an excellent way to improve your chord transitions and rhythm skills. It also introduces suspended chords and alternate fingerings, helping you build greater versatility in your playing.
Tips to Control Strumming Intensity:
- Keep the beginning section light with gentle strumming.
- Add more intensity in the chorus by strumming harder and using accents.
- Maintain a steady rhythm throughout the song to keep the groove intact.
FAQs – If It's Love Guitar Lesson
Q1. How can I improve my rhythm and timing?
Practice with the backing track and focus on Steve’s tips for simulating the drum section with your strumming.
Q2. Do I need to tune down my guitar?
Yes, the song is tuned half a step down for an authentic sound.
Q3. How can I handle the suspended chords more smoothly?
Steve suggests specific finger placements and transitions to make switching between suspended chords easier.

























