Introduction

Game of Throne Rock Version Cover by Kfir Ochaion - Introduction

The "Game of Thrones" theme is one of the most recognizable TV scores ever written, and Kfir Ochaion’s rock cover gives it a powerful new energy. Kfir is an Israeli guitarist known for turning vocal melodies into expressive guitar lines. His version takes the original orchestral arrangement and transforms it into a full rock instrumental, complete with soaring leads and heavy rhythms. The cover stays true to the epic feel of the original while adding guitar-driven intensity.

Kfir Ochaion started playing guitar at age 10, inspired by classic rock legends. His YouTube channel, launched in 2014, has grown to over 2.2 million subscribers thanks to his unique style. He doesn’t just play the notes—he makes the guitar "sing" like a human voice. This "Game of Thrones" cover is a great example of his approach, where every bend and vibrato mimics the drama of the original melody. His version keeps the song’s grand scale but makes it fit perfectly for electric guitar.

Game of Throne Rock Version Cover by Kfir Ochaion Guitar Lesson

Taught by Mike Walker, this lesson breaks down Kfir Ochaion’s rock arrangement of the "Game of Thrones" theme. The song is in E minor, and the main melody follows the original tune closely but with added rock techniques. The opening riff uses sustained notes with wide vibrato to copy the horn section from the TV version. The left hand must control each note’s pitch carefully to keep the melody sounding smooth and powerful.

The rhythm parts use palm-muted power chords to build tension in the verses. The pre-chorus switches to open chords with ringing arpeggios, creating contrast before the heavy riff returns. Kfir’s version includes a guitar solo section that wasn’t in the original. This solo uses the E harmonic minor scale for a dramatic, cinematic sound. Fast alternate picking runs and controlled bends make this part challenging but rewarding to learn.

For the main theme, Kfir uses slides and legato to connect notes fluidly. The phrasing is key, with pauses in the right places. The chorus brings big power chords and double stops to thicken the sound. Dynamic control is crucial here, as the part shifts between loud, aggressive strums and softer, cleaner passages.

Beginners should start by learning the melody slowly, focusing on note accuracy before adding vibrato. Intermediate players can work on the solo’s faster licks and the precise muting needed for the rhythm parts. Advanced guitarists should study how Kfir blends techniques—hybrid picking, bends, and harmonics—to make the guitar sound almost orchestral.

FAQs

Q. What effects does Kfir use in this cover?

A medium-gain overdrive, delay for atmosphere, and reverb to create space.

Q. Is this song good for beginners?

The melody is playable at slower speeds, but the solo and dynamic control require intermediate skills.

Q. How do I practice the fast alternate picking parts?

Use a metronome starting at half speed. Increase tempo only when you can play cleanly.

Introduction

In My City is the debut song from Indian actress Priyanka Chopra featuring Will.i.am. The song was co-written by Ester Dean, who also provides his voice for additional vocals. 

Priyanka gives homage to her nomadic childhood and shows her journey from a small-town girl to a big Bollywood star. This isn’t a guitar song in the first place, but J.J. Pattishall is going to teach you how to turn it into a guitar song. 

In this video lesson J.J. Pattishall teaches how to play the song In My City as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Chords and Rhythm, Song Arrangement and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure 

Introduction: In this part, J.J. Pattishall talks about how this song is a unique dance number and the influence of singer/ DJ Will.i.am makes the song upbeat, similar to the songs from Black Eyed Peas. In this section, you will also learn the tuning of the guitar for this song. 

Chords and Rhythm: Here, you will learn the outline of the chords and the rhythm that you are going to use in the song. Furthermore, you will get to know how to improvise guitar playing in this song to make it more interesting.

Song Arrangement: In this section, you will be learning how to play the chords of Will.i.am, part of the song. 

Song Demo: This is the last section where your guitar instructor is going to show you how to play the guitar section alongside the song. 

Introduction

Limp Bizkit recorded the song “Take a Look Around” in the year 2000. It was their first single and tenth track of the album called Chocolate Starfish and the Hot Dog Flavored Water. 

This particular song ranked as number six and number four by Louder Sound and Kerrang, respectively, as Limp Bizkit's greatest songs of all time. 

In this video lesson Mike Walker teaches how to play the song Take a Look Around (MI Theme) as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The song is in the key of A, and the tempo of the song is 100 bpm. 

Song Structure 

Introduction: In this introduction, Mike Walker, your guitar instructor, is going to show you the tuning settings for the song. You will also get to know how to play this song in one and a half steps down. 

Song Arrangement: Here you will learn about the four bar space that comes in the intro and the second verse, which is something you get to hear a lot in Mission Impossible movies in the background. 

Song Demo: This is the final section of the guitar lesson, here you will get to see how to play the guitar chords alongside the song. 

B.Y.O.B. – Introduction

Welcome to the guitar lesson on one of the greatest anti-establishment rebellion songs that brings together metal, punk, and Middle Eastern melodies into a politically charged anthem. – B.Y.O.B. by System of a Down. The song has been received with love across the world and has won a Grammy for the best hard rock performance in 2006. The song has amassed more than 500 million views on YouTube since its release in 2005.

The song name is an acronym for Bring Your Own Bombs, and was made as a form of protest against the american coalition led Iraq War (2003–2011), with lyrics calling out, “Why don't presidents fight the war? Why do they always send the poor?”. It is a song written in strong political commentary on the situation of wars and oppression around the world. The band has a reputation for speaking out for social justice and matters like drug abuse, politics, and suicide in the heavy metal genre.

B.Y.O.B. Guitar Lesson

The lesson on B.Y.O.B. is brought to you by our beloved instructor, Mike Walker, who demonstrates the song in its entirety and explains all parts of the song in great detail. Since this is a heavy metal song, there are a number of unconventional rhythmic patterns and fast melodic lines for the electric guitar, which is a signature sound for this genre of music.

The song is in the key of F major, but the tuning is half a step down; all the strings are tuned down a semitone. This, firstly, widens or brightens the tone, which makes it feel ‘heavy’ and secondly, loosens the strings, which makes it easier to play at a high tempo.

The lesson is easier to master as it only requires rhythmic proficiency to play in its entirety. The song is very drums and lyrics forward, as is with most heavy metal songs. The song is fun to play because of the distorted tone of the guitar. It’s a saturated machine-like sound that has low-frequency notes, which give it a slightly percussive vibe, usually called ‘djent’.

This is also a short lesson, taught easily by Mike, comfortably suited for beginners and advanced players alike.

FAQs

Q. Can I play BYOB in standard tuning?

Yes, you can play BYOB in standard tuning, but then you’ll have to play the song in E major instead of F major, and you’ll also lose the ‘crunch’ in the strumming.

Q. How to sound like Daron Malakian?

If you want to sound like Malakian, you need an Ibanez Iceman DMM1 guitar, going into a Boss HM-2 Heavy Metal distortion pedal, into a Marshall MF350 amp.

Q. Can I play this on an acoustic guitar?

Yes, you can, but it will not have the rage that is needed to lead a rebellion against the war profiteering world leaders.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).