Song Arrangement

Tu Hai is a deeply spiritual and romantic song from the 2016 historical film Mohenjo Daro, starring Hrithik Roshan and Pooja Hegde. Composed by A.R. Rahman, with lyrics by Javed Akhtar, the track blends devotion and love in a way that feels timeless. Sung by Rahman himself along with Sanah Moidutty, the song carries a meditative quality, as if it’s a prayer set to music. The gentle instrumentation soft flutes, ambient strings, and subtle percussion—creates a dreamy atmosphere that transports listeners to the ancient world of the film.

The lyrics speak of love as something divine, almost sacred, fitting perfectly with the film’s themes of destiny and connection. Rahman’s soft, breathy vocals and Moidutty’s delicate harmonies make the song feel intimate yet grand. While Mohenjo Daro had mixed reviews, the soundtrack stood out, and "Tu Hai" remains one of Rahman’s most cherished compositions for its emotional depth and simplicity.

Tu Hai-Guitar Lesson

Taught by Steve Luciano, this lesson breaks down how to play Tu Hai on guitar. The song uses a beautiful chord progression: C, Am7, Fmaj6,9, which gives it a warm, open sound. The Fmaj6,9 chord (played as xx3210) adds a jazzy, dreamy quality that fits the song’s spiritual mood. The strumming is soft and flowing, matching the gentle rhythm of the original track.

The verse follows a C - Am7 - Fmaj6,9 - C pattern, with each chord held for two bars. The strumming should be light—mostly downstrokes with a relaxed feel, letting the notes ring. The chorus introduces slight variations, with the Am7 sometimes replaced by G/B for a smoother transition. The key is to keep the playing fluid and unhurried, as the song moves at a slow, reflective pace.

For the melody, the song mostly uses the C major scale (C-D-E-F-G-A-B), with occasional slides and light vibrato to add expression. The guitar can mimic the vocal lines by playing simple, sustained notes with careful phrasing. The Fmaj6,9 chord is essential—it gives the song its unique, floating quality, so practice switching into it smoothly from Am7.

Beginners should focus on the chord shapes and slow strumming first. Intermediate players can work on adding arpeggios (plucking individual strings) to match the song’s delicate feel. Advanced players can experiment with fingerstyle patterns to bring out the melody within the chords.

FAQs

Q. How do I play the Fmaj6,9 chord?

Fret the 3rd fret on the D string, 2nd fret on the G string, and 1st fret on the B string, leaving the high E open.

Q. What’s the best strumming pattern?

Use slow, gentle downstrokes with occasional upstrokes—let the chords breathe.

Q. Can I simplify the Fmaj6,9 chord?

Yes, you can play a regular F major (133211) if needed, but the 6,9 adds the song’s signature sound.

Q. How do I make it sound more like the original?

Add light reverb and play with a soft touch, avoid heavy strumming.

CAm7Fmaj6,9G
CAm7Fmaj6,9G
CTu hai mera ye sanAm7saar saara
Main aur mera Fmaj6,9pyar saara
Tere hi liGye hai
CTu hai, jag mein hai Am7rang jaise
Rut mein hai taFmaj6,9rang jaise
Tu hai Gtoh, tu hai toh…
GaCgan gagan lehar lehar
BaAm7he ye chandFmaj6,9ni
O… dhara pe Gjaagi jyoti hai teri
NaAm7yan nayan ghuli hui hai Fmaj6,9kaamna koi
NaDmhi naGhi koi tujhsa Chai hi nahi
CTu hai mera ye sanAm7saar saara
Main aur mera Fmaj6,9pyar saara
Tere hi liGye hai
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
GGGG
GGGG
Am7Chalte chalte kisi daEm7gar mein
Fmaj6,9Jaise achanak Gmod aata hai
Am7Yunhi koi Em7ek hi pal mein
Fmaj6,9Sab kuch piche Gchhod aata hai
CChamka jo tara mera mann banjara ghoome re…
Fmaj6,9Prem bhari dhun mere mann ne li jo sunn jhoome Gre…
Paas Caake bhi kyun moun Am7hai tu
Ye toh Fmaj6,9keh de meri kaun Ghai tu
BoClte hain nayan moun Am7hoon main
Apne Fmaj6,9naino se sun Gkaun hoon main
DTu hai mera ye sanBm7sar sara
Main aur mera Gpyar sara
Tere hi liAye hai
DTu hai mera ye sanBm7sar sara
Main aur mera Gpyar sara
Tere hi liAye hai
DBm7GA
DBm7GA
DBm7GA
D

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Unlock with premium

Tu Hai is a deeply spiritual and romantic song from the 2016 historical film Mohenjo Daro, starring Hrithik Roshan and Pooja Hegde. Composed by A.R. Rahman, with lyrics by Javed Akhtar, the track blends devotion and love in a way that feels timeless. Sung by Rahman himself along with Sanah Moidutty, the song carries a meditative quality, as if it’s a prayer set to music. The gentle instrumentation soft flutes, ambient strings, and subtle percussion—creates a dreamy atmosphere that transports listeners to the ancient world of the film.

The lyrics speak of love as something divine, almost sacred, fitting perfectly with the film’s themes of destiny and connection. Rahman’s soft, breathy vocals and Moidutty’s delicate harmonies make the song feel intimate yet grand. While Mohenjo Daro had mixed reviews, the soundtrack stood out, and "Tu Hai" remains one of Rahman’s most cherished compositions for its emotional depth and simplicity.

Tu Hai-Guitar Lesson

Taught by Steve Luciano, this lesson breaks down how to play Tu Hai on guitar. The song uses a beautiful chord progression: C, Am7, Fmaj6,9, which gives it a warm, open sound. The Fmaj6,9 chord (played as xx3210) adds a jazzy, dreamy quality that fits the song’s spiritual mood. The strumming is soft and flowing, matching the gentle rhythm of the original track.

The verse follows a C - Am7 - Fmaj6,9 - C pattern, with each chord held for two bars. The strumming should be light—mostly downstrokes with a relaxed feel, letting the notes ring. The chorus introduces slight variations, with the Am7 sometimes replaced by G/B for a smoother transition. The key is to keep the playing fluid and unhurried, as the song moves at a slow, reflective pace.

For the melody, the song mostly uses the C major scale (C-D-E-F-G-A-B), with occasional slides and light vibrato to add expression. The guitar can mimic the vocal lines by playing simple, sustained notes with careful phrasing. The Fmaj6,9 chord is essential—it gives the song its unique, floating quality, so practice switching into it smoothly from Am7.

Beginners should focus on the chord shapes and slow strumming first. Intermediate players can work on adding arpeggios (plucking individual strings) to match the song’s delicate feel. Advanced players can experiment with fingerstyle patterns to bring out the melody within the chords.

FAQs

Q. How do I play the Fmaj6,9 chord?

Fret the 3rd fret on the D string, 2nd fret on the G string, and 1st fret on the B string, leaving the high E open.

Q. What’s the best strumming pattern?

Use slow, gentle downstrokes with occasional upstrokes—let the chords breathe.

Q. Can I simplify the Fmaj6,9 chord?

Yes, you can play a regular F major (133211) if needed, but the 6,9 adds the song’s signature sound.

Q. How do I make it sound more like the original?

Add light reverb and play with a soft touch, avoid heavy strumming.

CAm7Fmaj6,9G
CAm7Fmaj6,9G
CTu hai mera ye sanAm7saar saara
Main aur mera Fmaj6,9pyar saara
Tere hi liGye hai
CTu hai, jag mein hai Am7rang jaise
Rut mein hai taFmaj6,9rang jaise
Tu hai Gtoh, tu hai toh…
GaCgan gagan lehar lehar
BaAm7he ye chandFmaj6,9ni
O… dhara pe Gjaagi jyoti hai teri
NaAm7yan nayan ghuli hui hai Fmaj6,9kaamna koi
NaDmhi naGhi koi tujhsa Chai hi nahi
CTu hai mera ye sanAm7saar saara
Main aur mera Fmaj6,9pyar saara
Tere hi liGye hai
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
Fmaj6,9Fmaj6,9Fmaj6,9Fmaj6,9
GGGG
GGGG
Am7Chalte chalte kisi daEm7gar mein
Fmaj6,9Jaise achanak Gmod aata hai
Am7Yunhi koi Em7ek hi pal mein
Fmaj6,9Sab kuch piche Gchhod aata hai
CChamka jo tara mera mann banjara ghoome re…
Fmaj6,9Prem bhari dhun mere mann ne li jo sunn jhoome Gre…
Paas Caake bhi kyun moun Am7hai tu
Ye toh Fmaj6,9keh de meri kaun Ghai tu
BoClte hain nayan moun Am7hoon main
Apne Fmaj6,9naino se sun Gkaun hoon main
DTu hai mera ye sanBm7sar sara
Main aur mera Gpyar sara
Tere hi liAye hai
DTu hai mera ye sanBm7sar sara
Main aur mera Gpyar sara
Tere hi liAye hai
DBm7GA
DBm7GA
DBm7GA
D

Unlock Full Access to Lyrics & Chords with Torrins Membership

Unlock with premium

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