Overdub Part 2

Introduction:

The Philosopher song was originally written by Monty Python and composed by Eric Idle. The Florida-based death metal band Death covered the song in their fifth studio album, Individual Thought Patterns, which was released in 1993. 

The Philosopher has been described as one of the more accessible cuts from Death’s later music catalog, and for some fans, it is their biggest hit to this day. 

In this video lesson Bobby Koelble teaches how to play the song The Philosopher as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Tapping Piece, Verse, Prechorus, and Chorus, Solo Rhythm and Post Solo Rhythm Sections, Main Solo, Ending Solo Improv and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure:

Introduction: This is going to be the introduction to the song, the band, and the tune that you will be learning in this guitar lesson. Bobby describes this guitar song as pretty straightforward and not that technical to begin with. 

Intro Tapping Piece: The intro of the song starts with a two-hand tapping part, along with other undertone notes, all of which you will learn in this part.

Verse, Pre-chorus, and Chorus: Here, you will learn how to play the famous guitar riff that makes the song memorable. 

Solo Rhythm and Post Solo Rhythm Sections: This section explains how to play the riffs below Chuck’s solo. 

Main Solo: Here is the main solo of the song, which is in the key of A minor. Bobby will also help you get accustomed to that one lick, which moves pretty fast. 

Ending Solo Improv: This part of the guitar lesson builds your confidence in how you should improvise at the end of Chuck's solo and adds bits of your tunes as well. 

Song Demo: This is the final part. Here, your guitar instructor will play the entire guitar section of the song alongside the backing track. 

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

B.Y.O.B. – Introduction

Welcome to the guitar lesson on one of the greatest anti-establishment rebellion songs that brings together metal, punk, and Middle Eastern melodies into a politically charged anthem. – B.Y.O.B. by System of a Down. The song has been received with love across the world and has won a Grammy for the best hard rock performance in 2006. The song has amassed more than 500 million views on YouTube since its release in 2005.

The song name is an acronym for Bring Your Own Bombs, and was made as a form of protest against the american coalition led Iraq War (2003–2011), with lyrics calling out, “Why don't presidents fight the war? Why do they always send the poor?”. It is a song written in strong political commentary on the situation of wars and oppression around the world. The band has a reputation for speaking out for social justice and matters like drug abuse, politics, and suicide in the heavy metal genre.

B.Y.O.B. Guitar Lesson

The lesson on B.Y.O.B. is brought to you by our beloved instructor, Mike Walker, who demonstrates the song in its entirety and explains all parts of the song in great detail. Since this is a heavy metal song, there are a number of unconventional rhythmic patterns and fast melodic lines for the electric guitar, which is a signature sound for this genre of music.

The song is in the key of F major, but the tuning is half a step down; all the strings are tuned down a semitone. This, firstly, widens or brightens the tone, which makes it feel ‘heavy’ and secondly, loosens the strings, which makes it easier to play at a high tempo.

The lesson is easier to master as it only requires rhythmic proficiency to play in its entirety. The song is very drums and lyrics forward, as is with most heavy metal songs. The song is fun to play because of the distorted tone of the guitar. It’s a saturated machine-like sound that has low-frequency notes, which give it a slightly percussive vibe, usually called ‘djent’.

This is also a short lesson, taught easily by Mike, comfortably suited for beginners and advanced players alike.

FAQs

Q. Can I play BYOB in standard tuning?

Yes, you can play BYOB in standard tuning, but then you’ll have to play the song in E major instead of F major, and you’ll also lose the ‘crunch’ in the strumming.

Q. How to sound like Daron Malakian?

If you want to sound like Malakian, you need an Ibanez Iceman DMM1 guitar, going into a Boss HM-2 Heavy Metal distortion pedal, into a Marshall MF350 amp.

Q. Can I play this on an acoustic guitar?

Yes, you can, but it will not have the rage that is needed to lead a rebellion against the war profiteering world leaders.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Heaven By Bryan Adams

In this guitar lesson, instructed by Mike Walker, you will learn the clean electric guitar progression that comes in at the beginning of the song. The structure you have to follow is quite straightforward; it uses verse, bridges, chorus, and then again a bridge. 

But what sets this song and its lesson apart is the use of gravel-toned vocals, which carry a hint of vulnerability that was pretty rare back in the '80s rock anthems. On the other hand, if we look at the lyrics, they were quite earnest and at the same time universal. 

Why Learn Heaven Song On Guitar?

Heaven is a dream song to learn, especially if you are a beginner. Let us show you how it can be part of your musical journey and help you learn new techniques: 

Use of Basic Chords: It is the song that uses simple open chords such as C, G, Am, F and Dm. In addition to this, there’s also a capo version which allows you to use simpler fingerpicking. 

Slow Tempo: Heaven is played with a tempo of 65-70 BPM. This slow pace makes it a perfect song for learning clean transitions and rhythms. 

Emotional Expressions: It’s a great song for people who are trying to play songs that are heavy on feels. Besides this, it also teaches you how to move beyond mechanical strumming. 

Follows Familiar Structure: You have to follow a verse-chorus structure, which is beginner-friendly and, at the same time, makes you understand how popular songs are composed.