Intro and Verse

Introduction

Bombtrack is one of the explosive songs from Rage Against the Machine’s debut album. In addition to this, it comes with powerful riffs, and groove-driven rhythms and it also includes aggressive energy.  

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: There are no traditional arpeggios in the verse, instead you have to follow heavy power chords with a combination of muted rhythms. 

e|---------------------------------|  

B|---------------------------------|  

G|---------------------------------|  

D|---------4-4-2-2-4--------------|  

A|---2-2--------------------------|  

E|---------------------------------|

Strumming Pattern 

This song follows a more tight-riff playing than your traditional strumming. As a result, you have to follow the rhythm guitar approach to be more precise and smooth. Here is how you should be strumming with a palm-muted downstroke approach for punchy rhythm: D D D D D U D U. 

• D = Down strum
• U = Up strum

Song Structure 

Introduction: In this introduction section Mike Walker your guitar instructor teaches you how to tune up the guitar for this song. 

Song Arrangement: Here Mike shows you how to play the intro, midsection and the outro of the song. He shares his knowledge of guitar playing and how the intro is a 4 bar phase. 

Overdub: Here, you will learn how to play the overdubs which come at the start of the song. 

Song Demo: This is where you will learn how to play the entire song with the backing track to keep up guitar chords with the original time signature of the song.

Solo 1: Over here you will be learning how to play the first solo which is present right after the first bridge. 

Outro Solo: This is the final part of this guitar lesson, here Mike is going to show you how to play outro solo. 

Why Learn Bombtrack By Rage Against The Machine Song?

This is a pretty intricate song to learn that starts with simple yet heavy riffs, as a result, it is perfect for learning palm muting, power chord slides and even for practicing tight picking. This is one of the few songs from Rage Against the Machine which is beginner friendly, the guitar lesson that we have here is perfect for individuals who want to improve their riff-based playing. 

FAQs – Bombtrack Guitar Lesson

Q1. Why is Range Against the Machine Controversial? 

Ans. One of the biggest reasons why Rage Against the Machine is controversial is because of their fiercely political music that comes with sloganeering left-wing rants against the corporate culture of America. 

Q2. How many BPM is Bombtrack? 

Ans. This song is at 152 BPM; the song runs for 4 minutes and 3 seconds in the key of E and with a major mode.

Q3. Is Rage Against the Machine anti-capitalist?

Ans. Yes, that can be said for Rage Against the Machine because they have voiced their disagreement on various political, domestic and foreign policies that were introduced by the US government. 

Q4. What is the heaviest Rage Against the Machine song?

Ans. Bullet in the Head is the heaviest song from Rage Against the Machine according to their fans. The song is a reference to how the government is trying to use the media to influence their control over the population. 

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

In this video lesson Steve Luciano teaches how to play the song Hosanna as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Introduction and Chords, Rhythm, Song with Backing Track, Discussion on Chords and Progressions and Improvisation. Don't forget to make use of the chords and tabs provided with the song lesson!

Sing is the lead single from Ed Sheeran's sophomore album “X” (Multiply). This was the first time Ed moved past his acoustic singer persona. The song was produced by Pharell Williams, and after it got released it really did shock some of his fans, at the same time it delighted critics. 

Sing is a funky, falsetto-driven song, and even after a decade, this song holds true to be one of the most intriguing and enduring tracks that came out from Ed’s album. It’s a song that shows his willingness to evolve and take those creative risks that many artists fear to take when they reach the height of their career. 

Fun Fact: Ed Sheeran, in one of his videos, said he took the inspiration from Justin Timberlake’s Justified album. The composer Pharrell Williams also worked on the same album and leaned towards the idea of creating something similar for Ed. 

Half of Sing’s credit needs to be devoted to Pharrell, Ed was reluctant on using Falsetto heavy style, feeling it will be too far from his original sound, but Pharell insisted that he should try it out and the result was such a massive breakout that Ed was able to reach UK #1 spot for the first time in his career. 

Why Learn to Sing By Ed Sheeran On Guitar?

''Sing'' is the exception in Ed Sheeran’s discography, most of his fans think of Ed as a tender acoustic musician. It was Sing that flipped the narrative. From this song, Ed offered a danceable energy to his fans, in addition to confidence and versatility. 

Sing is there to help you level up your guitar playing techniques, allowing you to practice strumming precision and the musical groove of a song. At first glance, you will find that the chord progression present in this song is quite simple, but if you look closely, the challenge lies in the rhythm and feel. 

The song requires you to master percussive and palm-muting techniques, which creates a funk-guitar style sound. With this song, you will develop tight timing and rhythmic accuracy. 

Furthermore, it also teaches you to properly use muting, ghost notes, and silence that are crucial means for groove. 

FAQs – Sing By Ed Sheeran Song Guitar Lesson

Q1. Which chords do I need to use to play Sing by Ed Sheeran on guitar? 

Ans. Am, F, C, and G are the few chords that you need to keep on repeating throughout this song, because it is a loop-style progression. 

Q2. In which key does the song Sing by Ed Sheeran present in? 

Ans. The song is present in A minor, which is considered the relative minor of C major. Keep in mind that there are no sharps or flats present in it. As a result, it is much easier for beginners to navigate through the guitar using it. 

Bulleya - Introduction

Bulleya is a groundbreaking Sufi rock song by the legendary Pakistani band Junoon, released in 1999 as part of their album Parvaaz. The track is an adaptation of the poetry of Bulleh Shah, a revered Punjabi Sufi saint, questioning identity and divine love. Composed by Salman Ahmad, the song blends Western rock energy with Eastern spiritual depth, featuring electric guitar riffs, bluesy vocals by Ali Azmat, and traditional tabla rhythms.

Recorded at Abbey Road Studios, Bulleya became Junoon’s signature track, celebrated for its fusion of rock and Sufi philosophy. The lyrics—"Bullah ki jaana main kaun" ("I know not who I am")—reflect the Sufi quest for self-discovery beyond religious labels. Over the years, the song has been reimagined multiple times, including an English version in 2010, and remains a staple in Junoon’s live performances, inspiring countless covers across South Asia.

Bulleya Guitar Lesson

Taught by Salman Ahmad himself, this lesson breaks down the song’s unique chord progressions and Sufi-rock fusion. The track uses D9, Am, Dm7♭9, G6, E7sus4, and Esus4, creating a hypnotic, spiritually charged sound. The D9 (xx0230) and Dm7♭9 (xx0111) chords add tension, while G6 (320000) and E7sus4 (020200) provide resolution, mirroring the song’s themes of seeking and surrender.

The rhythm alternates between a rock-driven 4/4 strum and qawwali-inspired grooves. The main riff, played on electric guitar, uses the D minor pentatonic scale (D-F-G-A-C) with bluesy bends. The verse follows D9 - Am - G6, while the chorus shifts to E7sus4 - Esus4, creating a call-and-response effect. The bridge introduces a Dm7♭9 - G6 vamp, emphasising the Sufi trance-like quality.

For the lead parts, Salman’s playing combines Eastern phrasing (sliding between notes like in a raga) with Western rock techniques (sustained bends, wah pedal). The solo builds on the D harmonic minor scale (D-E-F-G-A-B♭-C#), adding a mystical edge.

Beginners should focus on the D9 and Am transitions first. Intermediate players can work on the sus4 chords and bluesy licks. Advanced players should explore the modal interchange between D minor and D Mixolydian (D-E-F#-G-A-B-C), a key element in Junoon’s sound.

FAQs

Q. How to play the Dm7b9 chord?

Fret the 1st fret on high E (F), 1st on B (C), and leave G open (xx0111).

Q. What’s the strumming pattern for the song Bulleya by Junoon?

Verses: Down-down-up-up-down | Chorus: Aggressive downstrokes on E7sus4.

Q. Why does the E7sus4 go to the Esus4?

The suspended notes (A in E7sus4 resolving to G# in Esus4) mimic qawwali vocal ornamentation.

Q. What is the best way to practice bends?

Target the F to G (1st to 3rd fret, B string)—a key bluesy motif in the solo.