Song Arrangement - Part 3

Introduction:

This song was originally written and composed during the time of Schultz and Fraites in New York. It was meant to be a kiss-off to disinterested concertgoers. It was the first single from a folk rock band to get certified in the US. 

Chords Used in Song Guitar Lesson:

Arpeggios Verse & Chorus Chords: The song is present in the key of C major. 

Strumming Pattern:

The most common strumming pattern used for playing this song is D - D - U - D - D:

• D = Down strum
• U = Up strum
• - = Pause (mute or let the chord ring)

The alternative strumming pattern is D - D - U - U - D - U, this adds more guitar movement in the song and makes the guitar play a bit more smooth. 

Song Structure:

Introduction: The introduction of the song is by J.J. Pattishall, in here he teaches you the tuning required to play this song on guitar. 

Song Arrangement: Here, your guitar instructor talks about the feel of the song and how it helps you play it. In addition, he shares with you all the chords you have to play and how they should be played.

Sing and Play: In this section, you will learn how to time your chords while you are singing. 

Song Demo: Finally this is the part where your guitar instructor will show you how to play the entirety of the song with the song running in the background. 

In this video lesson Ashish Noel John teaches how to play the song Stay as part of our Guitar series on English song lessons. The song lesson is broken down into multiple lessons for easy learning - Introduction, Chords and Rhythms, Improvisation, Song Arrangement, and Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Game of Thrones Acoustic Version - Introduction

The acoustic version of the Game of Thrones theme song transforms the epic orchestral original into an intimate guitar arrangement. This version keeps the powerful melody while making it accessible for solo guitar players. The song comes from HBO's massively popular fantasy series that aired from 2011 to 2019.

Composer Ramin Djawadi created the iconic theme that became instantly recognizable worldwide. When the series premiered in 2011, the opening theme immediately captured viewers' attention with its distinctive rising string motif. The minor key tonality and driving rhythm perfectly evoke the show's atmosphere of political intrigue and medieval warfare. Many guitarists find this arrangement rewarding to learn as it combines technical challenge with immediate musical satisfaction.

Game of Thrones Acoustic Version Guitar Lesson

Taught by Mike Walker, this lesson breaks down the acoustic arrangement of the Game of Thrones theme. The song uses a capo on the 3rd fret and is played in the key of D minor. The main theme follows a repeating pattern of Dm, F, C, and Bb chords. These chords create the dark, medieval atmosphere of the original composition.

The right hand technique is crucial for this piece. Use a steady alternating bass pattern with your thumb while playing the melody notes with your fingers. The bass notes should land on beats 1 and 3, with the melody filling in the spaces between. This creates the driving rhythm that makes the theme so powerful.

For the melody sections, focus on clean fingerpicking with good articulation. The theme uses mostly notes from the D natural minor scale. Pay special attention to the syncopated rhythms that give the melody its distinctive character. The B section introduces some chromatic movement that adds tension before resolving back to the main theme.

Beginners should start by mastering the chord shapes and bass pattern slowly. The chord changes need to be smooth and precise. Intermediate players can work on bringing out the melody clearly while maintaining the bass rhythm. The piece sounds best when played with strong dynamics - louder in the dramatic sections and softer in the transitional passages.

FAQs

Q. What tuning is the Game of Thrones Acoustic Version tune in?

The tune is in standard tuning with the capo on 3rd fret.

Q. Can I play this without a capo?

Yes, but you'll need to transpose the chords which will make the tune sound more warm than bright.

Q. Is this suitable for beginners?

The basic version is accessible, but playing melody and bass together requires practice.

Q. What tempo should I play at?

Start slow (around 80 bpm) and gradually work up to the original tempo of 110 bpm.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).

Aces High - Introduction

Aces High" is the eleventh single by legendary British heavy metal band Iron Maiden, written by bassist Steve Harris for their 1984 album Powerslave. The song's lyrics vividly depict a British RAF pilot's experience during the Battle of Britain (1940), with the band's mascot Eddie appearing as a Spitfire pilot on the single artwork. The track has become one of Iron Maiden's most iconic songs, featured in numerous video games and extreme sports films.

The song's B-side contains a cover medley of Nektar's "Crying in the Dark" and "King of Twilight" from their 1972 album. The music video, filmed during the World Slavery Tour in Poland, incorporates authentic Battle of Britain newsreel footage. This powerful imagery became a staple of Iron Maiden's live shows, often paired with Winston Churchill's famous wartime speeches as an introduction.

Aces High Guitar Lesson

This lesson with Mike Walker teaches you how to play "Aces High" properly. The song keeps changing keys - it starts in C, then goes to A, then G, then back to C. This makes the song exciting but tricky to play. When the key changes, the mood of the song changes too, just like how a dogfight has calm moments and crazy moments.

The main riff uses something called harmonised guitars - that means two guitars play the same tune but at different pitches, making a cool twin sound. The rhythm is called "galloping" because it goes fast like a horse (down-down-up, down-down-up). You need to palm mute the strings near the bridge to get that tight, machine-gun sound Iron Maiden is famous for.

The solos use a special scale that sounds Middle Eastern. It's basically the minor scale but with the second note lowered (so in E minor, you play F natural instead of F#). This makes the solo sound tense and dramatic, which goes well for a war song. The fast parts need alternate picking - down-up-down-up - to play cleanly at high speed.

For beginners, start by learning just the power chords (C5, A5, G5) and the galloping rhythm slowly. The chords are simple, but switching between them fast is hard. Advanced players should work on the twin guitar harmonies and the quick key changes. The song is tough, but satisfying to play once you get it right, like most metal songs.

FAQs

Q. What tuning is used in Aces High?

The original recording uses Eb tuning (all strings tuned half-step down) but can be played in standard tuning.

Q. How to play the galloping rhythm?

Use alternate picking with emphasis on the downstrokes: Down-Down-Up pattern repeated.

Q. Is this song suitable for beginners?

The simplified power chord version is accessible, but the full arrangement requires intermediate skills.

Holy Diver - Introduction

Holy Diver is one of the most iconic heavy metal songs ever recorded, serving as the title track of Dio’s debut album in 1983. Written by the legendary Ronnie James Dio after his stints with Rainbow and Black Sabbath, the song showcases his signature lyrical style—filled with medieval imagery, heroic themes, and battles between good and evil. The lyrics tell the story of a mysterious, divine warrior, often interpreted as a metaphor for spiritual struggle and redemption. Dio’s powerful, operatic vocals and Vivian Campbell’s crushing guitar riffs made the track an instant classic.

The music video, though dated by today’s standards, became legendary for its fantasy aesthetic, featuring Dio as a sword-wielding hero battling demons. The song’s mid-tempo groove, anthemic chorus, and unforgettable riff solidified its place in metal history. Over the years, "Holy Diver" has been covered by bands like Killswitch Engage and referenced in pop culture, proving its lasting influence. Ronnie James Dio’s performance on this track remains one of the greatest in metal, blending raw power with theatrical flair.

Holy Diver Guitar Lesson

Taught by Mike Walker, this lesson dives deep into playing "Holy Diver" in dropped C tuning (C-G-C-F-A-D), which gives the song its thick, heavy sound. The main riff, played by Vivian Campbell, is built around power chords (C5, G5, A♭5) and uses palm muting to create a tight, aggressive groove. The tuning allows for easy sliding between chords while maintaining a massive low-end presence.

The verse follows a C5 - G5 - A♭5 progression, with the riff emphasizing the open C string for a chugging effect. The chorus shifts to a C5 - G5 - F5 pattern, adding a melodic lift before returning to the main riff. The solo section is where Campbell’s playing shines—using the C minor pentatonic scale (C-E♭-F-G-B♭) with fast alternate picking and wide bends for dramatic flair. The harmonic minor scale (C-D-E♭-F-G-A♭-B) also appears in the solo, giving it a darker, classical edge.

For the rhythm parts, focus on tight palm muting and consistent downstrokes to match the song’s driving feel. The pre-chorus introduces a syncopated riff that requires precise timing—practice it slowly with a metronome before speeding up. The bridge features harmonized leads, where two guitars play complementary melodies, a technique Dio borrowed from his Rainbow days.

Beginners should start by mastering the main riff and power chords in dropped C tuning. Intermediate players can work on the syncopated rhythms and solo licks, paying attention to vibrato and bends. Advanced players should study the harmonic minor passages and experiment with adding their own fills.

FAQs

Q. How do I tune my guitar to dropped C for this song?

Lower your sixth string from E to C, fifth from A to G, and leave the rest in standard tuning (C-G-C-F-A-D).

Q. What scales does Vivian Campbell use in the solo sections?

Primarily C minor pentatonic (C-E♭-F-G-B♭) with touches of C harmonic minor (C-D-E♭-F-G-A♭-B) for a classical metal feel.

Introduction:

The Philosopher song was originally written by Monty Python and composed by Eric Idle. The Florida-based death metal band Death covered the song in their fifth studio album, Individual Thought Patterns, which was released in 1993. 

The Philosopher has been described as one of the more accessible cuts from Death’s later music catalog, and for some fans, it is their biggest hit to this day. 

In this video lesson Bobby Koelble teaches how to play the song The Philosopher as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Tapping Piece, Verse, Prechorus, and Chorus, Solo Rhythm and Post Solo Rhythm Sections, Main Solo, Ending Solo Improv and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure:

Introduction: This is going to be the introduction to the song, the band, and the tune that you will be learning in this guitar lesson. Bobby describes this guitar song as pretty straightforward and not that technical to begin with. 

Intro Tapping Piece: The intro of the song starts with a two-hand tapping part, along with other undertone notes, all of which you will learn in this part.

Verse, Pre-chorus, and Chorus: Here, you will learn how to play the famous guitar riff that makes the song memorable. 

Solo Rhythm and Post Solo Rhythm Sections: This section explains how to play the riffs below Chuck’s solo. 

Main Solo: Here is the main solo of the song, which is in the key of A minor. Bobby will also help you get accustomed to that one lick, which moves pretty fast. 

Ending Solo Improv: This part of the guitar lesson builds your confidence in how you should improvise at the end of Chuck's solo and adds bits of your tunes as well. 

Song Demo: This is the final part. Here, your guitar instructor will play the entire guitar section of the song alongside the backing track. 

Introduction: 1000 Eyes by Death is the song from their sixth studio album called Symbolic which was released on March 21st, 1995 under the label of Roadrunner records. 

Fun Fact: The song talks about the unstoppable surveillance of the government on society. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: You will be using single-note arpeggios instead of full chords, and the arpeggios in the verse are as follows: 

e|---------------------|  

B|---------------------|  

G|----7----5----4-----|  

D|---5----4----3------|  

A|--3----2----1-------|  

E|---------------------| 

Strumming Pattern:

The strumming pattern you have to follow for this song is a bit more of a fast alternate picking, tremolo picking, and palm-muted chugging. As a result, here’s how you will be strumming: 

For palm muted chugging: D - D - DUD - D - D - DUD

Palm muted galloping: D - DUD - D - D - D - DUD  

• D = Down strum
• U = Up strum

Song Structure:

• Introduction: In the introduction your guitar instructor Bobby Koelble shares his insights about the song, what it means and the tuning required for it. 
• Intro Riff: Here you will learn about the intro of the song which is 8 bars in length. Also, you will learn how to play all the measures that are present in the intro. 
• Intro Solo: This section shows you how to play Chuck's solo part in the intro of the song. 
• Song Arrangement Part 1: From this section the main part of the song begins as Chuck 

starts to sing from here. The guitar instructor breaks the arrangement down in several parts to make things easier here. 

• Song Arrangement Part 2: This part of the guitar lesson deals with the guitar playing you will be doing alongside the main chorus of the song. It is pretty faced paced strumming and chord progression so you need to have your full focus. 
• Song Demo: This is the part where Bobby is going to play the entirety of the song while the backing track is played. It is to show you how to strum and play chords in different parts. 
• Solo Lesson: Finally you will be learning Chuck's solo in this section, it is present in the Key of A minor. The riff which plays under the solo has already been taught in the above section of the song lesson. 

Why should you learn 1000 Eyes By Death Song?

1000 Eyes has some of the most excruciating fast-paced riffs, which makes it challenging to play both for alternate picking and fret-hand coordination. As a result, it is a perfect song to build your speed and precision. It also gives you a challenge, so if you feel like all the songs that you have been playing on the guitar are too easy for you, this song will surely turn things around. 

FAQs for 1000 Eyes by death Guitar Lesson

Q1. What happened to the Death band? 

Ans. The band before breaking up in 2001 went through a lot of changes, all of this happened after the death of Schuldiner. The final line up of the band before the break up was Schuldiner on guitars and vocals, Shannon Hamm on guitars, Richard Christy on drums. 

Q2. Was Chuck Schuldiner a good person in real life? 

Ans. The death metal legend was friendly and loved his family members. Throughout his life, he had a bunch of his friends, and they all stuck together. His parents were still in contact with other band members and told them how Chuck helped them when they needed it the most. 

Introduction

Voices of the Soul is the song from the seventh and final studio album of the Florida-based death metal band called “Death.” This particular song has an eerie spectre, and it is one of the most experimental and expansive songs from Death, with impressive songwriting. 

Chords Used in Wake Me Up When September Ends

Arpeggios Verse & Chorus Chords: Open chords. The song is played in the key of G, and there is no need for a capo. 

Chorus Variation: The chorus of the song is pretty short, and the guitar chords used in it are similar to those of the verse. 

Strumming Pattern 

The entirety of the song follows the same strumming pattern: Down-Up, Down-Up, Down-Up. (DUDUDU)

Song Structure 

Introduction: In this section, J.J. Pattishall will show you the key in which the song is to be played. 

Song Arrangement: Here, you will learn how and why the guitar instructor has broken down this song into several different parts. This particular section will show you how to play the guitar parts of the intro, verse, chorus, and bridge. 

Rhythm: Here, you will learn the open chords used to provide backing rhythm to the verse and chorus of the song. 

Song Demo: Right here, after showing you how to play all the different chords for this song, J.J. Pattishall will show you how to play the guitar alongside the song. 

Solo Lesson: This is the last part, where you learn how to play the epic solo from the song.