Somebody That I Used To Know
Introduction
Song Arrangement
Song Demo
Rhythmic Overdubs
Motif Sections
Sync Licks
Demo
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Somebody That I Used To Know
Introduction
Song Arrangement
Song Demo
Rhythmic Overdubs
Motif Sections
Sync Licks
Demo
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Unlock with premiumExplore More in English Songs
Introduction:
Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.
Interesting Fact
Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.
Chords & Progression
This song is in the key of D minor and uses both barre and open chords.
Chords include: Dm (barre), Bb, A7, F, and others.
The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.
Song Structure
Each section is covered in detail, including how the chords and rhythms evolve throughout the song.
Intro Rhythm and Bounce Feel
One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.
Riff Rhythm
The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing.
Verse and Chorus – Singing & Playing Together
Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.
Intro Lead and Riffs
The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.
Solo Improvisation
The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.
Main Riff Breakdown
To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.
FAQs – Sultans of Swing Guitar Lesson
Q1: Is this song beginner-friendly?
It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.
Q2: Do I need a capo?
No capo is needed for this version.
Q3: How do I get the “Knopfler feel”?
Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.
Introduction
Tune in to a detailed guitar song lesson on What It’s Like, a single by the American musician, Everlast. This 1998’s release was the lead single from his second studio album called Whitey Ford Sings the Blues.
This guitar song lesson is taught by Mike Walker, an experienced musician and instructor at Torrins. He breaks the lesson down into sections: Introduction, Intro Chord Progression, Verse & Chorus, Arrangement, Interlude, and Outro.
Mike Walker teaches the What It’s Like Song guitar lesson using just 3 chords, two of which are Dm and C. No capo is needed!
Chords Used in What It's Like Guitar Lesson
- This song primarily revolves around three simple chords, making it accessible for players of all levels.
- The strumming pattern follows a DDU rhythm, adding a steady groove.
Strumming & Picking Techniques
The song subtly blends strumming and arpeggiation, giving it a dynamic and textured feel. The intro is centered around a D minor chord, with the occasional addition of Dsus4 to introduce subtle variation. Arpeggiated picking is used here to create a melodic and flowing texture, setting the tone for the rest of the song.
In the verse, the D minor chord continues to anchor the progression, while an arpeggiated riff adds depth and makes it more rhythmic.
Moving into the chorus, the strumming follows a consistent DDU (Down-Down-Up) pattern, repeated four times. On the fourth repetition, however, there’s a variation introduced at the end which is a distinctive 8-note strum pattern that adds energy and creates a pumping, driving effect.
Song Structure & Arrangement
The song builds gradually, with familiar sections repeating and subtle changes keeping things interesting. Here's a simple breakdown of how the song flows:
- Intro: A catchy opening riff sets the mood and is played four times.
- Verse 1: The main melody kicks in and repeats six times, helping you settle into the groove.
- Chorus: This part brings in energy. It’s played four times, with a twist added on the fourth round to keep things fresh.
- Interlude: A gentle picking section gives you a short breather before heading back into the main theme.
- Verse 2: Similar to the first verse, but extended — this time it's played eight times.
- Chorus: Returns with the same pattern, repeated four times.
- Bridge: Feels like a throwback to the intro, but with a longer run — played six times.
- Verse 3: Back again for eight repetitions.
- Final Chorus: Played three times as the song winds down.
- Outro: The song gradually fades out, giving it a smooth ending.
Mike shares a tip for those struggling with Fmaj7? Try leading with your third finger—this helps you get the note covered first, giving you an extra split second to position the rest of your fingers.
Why Learn What It’s Like?
- This lesson covers both strumming and fingerpicking, making it great for building dexterity.
- The song’s structure teaches you how to transition smoothly between sections and add dynamics to your playing.
- This song is a fantastic example of storytelling through music, giving you a chance to add emotion to your performance.
FAQs – What It’s Like Guitar Lesson
- Q1: Is this song beginner-friendly?
- Yes! While the Fmaj7 chord can be tricky, the slow tempo and repetitive structure make it easier to master.
- Q2: How can I improve my arpeggiation?
- Start slow, focus on even picking, and gradually increase speed.
- Q3: Do I need a capo?
- No capo is required for this version.
Fun Fact: The song became Everlast’s biggest solo hit after he left the trio House of Pain and transitioned from rap to a bluesy, acoustic hip-hop style, which was a bold and unexpected move at the time!
Similar Pop Songs
Introduction:
Get ready to learn You Send Me by Sam Cooke with instructor Mike Dugan on Torrins. This lesson covers everything from basic chords and strumming patterns to advanced solo techniques, making it suitable for both beginners and more experienced players. Mike breaks down the song step-by-step, helping you match your vocals with the chords and refine your rhythm for a polished performance.
Fun Fact: This was Sam Cooke’s debut single and it was a glorious debut– it peaked at number 1 position on both Billboard's Rhythm & Blues Records chart and the Billboard Hot 100. It was also named as one of the 500 most important rock and roll recordings by the Rock & Roll Hall of Fame.
Chords and Techniques Used in You Send Me
- Key: The original song is in the key of F for vocals, but Mike moves it to the key of G since it’s easier to follow on the guitar.
- Chords Used:
- G, D or D7, Am, and others
- He explains easy chord transitions and provides alternatives for beginners struggling with barre chords.
- Strumming Pattern:
- For Beginners:
- Use downstrokes, with two strums per chord for the verse.
- The verse uses open chords, with downstrokes on the numbers and upstrokes on the "and" counts.
- Tip: Don’t force the upstrokes—keep them light and natural.
- For Advanced Players:
- Mike demonstrates an advanced rhythm pattern using downstrokes with a triplet feel.
- He explains how to create a smoother, more dynamic strumming effect.
- For Beginners:
Song Structure
- Verse 1 and Verse 2: The two verses follow the same chord pattern and strumming technique. He also teaches how to match your vocals with the chords for a cohesive sound.
- Bridge: The bridge includes barre chords, but Mike teaches open chord alternatives for beginners. He explains the correct positioning for barre chords in detail to help you improve your grip and clarity.
- Solo Section: The solo is in the key of G major. The lead follows the relative minor of G (E minor), using the E minor pentatonic scale. For advanced players, he demonstrates a creative technique that makes the solo sound very close to the original recording.
Why Learn You Send Me?
This lesson not only teaches you how to play the song but also helps you develop better rhythm, improve chord transitions, and explore creative soloing techniques. The mix of beginner-friendly guidance and advanced options makes it a well-rounded learning experience.
Tips to Improve Your Playing
- Start slow with the strumming pattern to build muscle memory.
- Focus on smooth transitions between chords.
- For the solo, practice the E minor pentatonic scale separately before combining it with the backing track.
- Follow along with the tabs provided for a comprehensive learning experience.
FAQs – You Send Me Guitar Lesson
Q1. Is this song suitable for beginners?
Ans: Yes! The lesson includes beginner-friendly chords and strumming patterns, along with alternatives for challenging barre chords.
Q2. What’s the best way to improve my chord transitions?
Ans: Start slowly and focus on switching between two chords at a time before increasing your speed.
Q3. Do I need a capo for this song?
Ans: No capo is required, but you can experiment with different chord voicings to match your vocal range.
Songs with Similar Difficulty
Introduction:
Torrins brings you another electrifying guitar lesson "Crystal Mountain by Death", taught by none other than Bobby Koelble, one of the original guitarists on the track. This lesson breaks down the intricate riffs, solos, and powerful progressions that make this song a metal masterpiece.
Fun Fact: Crystal Mountain was inspired by Chuck Schuldiner’s real-life experiences with his not-so-friendly next-door neighbour. Their unpleasant interactions fueled the aggression and emotion behind this legendary track!
Tuning & Gear
- Tuning: Standard tuning down a whole step.
- Use the provided tabs for a more comprehensive learning experience.
Song Breakdown
This lesson is structured into multiple sections to make learning seamless:
- Introduction
- Intro Riff
- Verse
- Chorus
- Bridge
- Solo-Tapping Section
- Main Solo
- Acoustic Solo
- Song Demo (Chuck’s Part)
- Song Demo (Bobby’s Part)
- Full Song Demo (Combining All Parts)
Chords & Riffs in Crystal Mountain
Intro Riff
- The first 8 bars feature power chords like E, Bb, and F, with vibrato. Tune in to the lesson to learn the rest of the chords.
- The second half of the intro is harmonised down a perfect 5th.
- Scale: E Harmonic Minor.
Verse
- The Am chord is played with a variation in arpeggio.
- Includes F power chords and some single notes, along with other chords.
- Heavy distortion is used to achieve that signature Death sound.
Chorus
- Chorus features single notes and an active midsection involving the open 5th string.
- Chuck Schuldiner added an intricate melody over the chorus section. Bobby walks you through this in detail.
Bridge
- It begins with power chords in the rhythm track.
- It is layered with harmonised single-note phrases on top
Solo Sections
Tapping Solo
- This solo features harmonised tapping licks at the 12th fret.
Main Solo
- Chuck’s solo—short but iconic.
- It is in the key of G# minor.
- Uses triplets and expressive vibrato.
Acoustic Solo
- An acoustic solo is a rare touch in a Death song! Bobby demonstrates 4 simple acoustic licks to round off the song.
Final Song Demo
After breaking down every section, Bobby dedicates three lessons to the song demo:
- Chuck’s part
- His own part
- The full song, combining all elements
Why Learn Crystal Mountain?
- Learning this song will help you master intricate picking techniques.
- It will also help you understand harmonised riffs and solos.
- It will expand your knowledge of scales and metal phrasing.
FAQs – Crystal Mountain Guitar Lesson
Q1. Is this lesson suitable for beginners?
A: This lesson is best suited for intermediate to advanced players because of its complex chords and solos.
Q2. What is the most challenging part of the song?
A: The solo-tapping section and harmonised melodies require precise technique and practice.
Q3. Can I play this without tuning down?
A: Yes, you can, but tuning down a whole step helps achieve the authentic Death sound.
Introduction
Welcome to the bass lesson for Have You Ever Seen the Rain (Smokie version). Originally written by John Fogerty and released by Creedence Clearwater Revival in 1971, this timeless classic has been covered by many artists, including Smokie on their 1995 album The World and Elsewhere.
This lesson is taught by Mike Walker and is set in the key of C with standard tuning. It’s a straightforward yet expressive song, making it perfect for both beginners looking to sharpen their technique and intermediate players who want to refine their timing and feel.
Lesson Breakdown
Mike takes a step-by-step approach to make learning smooth and approachable.
- Intro: The intro starts with a short, tasteful lick that begins on the G string before moving to the low E. Mike also demonstrates a subtle twist here: taking the 5th of the note lower instead of the usual higher, which adds a unique flavor to the line. This is followed by another short lick, carefully broken down so you can catch every nuance.
- Verse: The verse introduces a light hammer-on lick and moves back and forth between the G and C strings. It also includes a simple but effective walking bass line. Mike explains each step slowly, highlighting when to use chromatic movements and when to hold back, making it very beginner-friendly.
- Chorus: In the chorus, Mike divides the section into smaller movements for easier learning. He also explains how to lock in your groove with the guitar and drums to create a tight rhythm section feel.
- Underneath the Guitar Solos: You’ll also learn what’s happening in the bass line beneath the guitar solos. This part involves a subtle kick-drum-inspired rhythm, moving across the frets using four key chords to keep the groove steady.
Once all the sections are covered, Mike ties it all together by playing the full arrangement along with a backing track. This demo helps reinforce everything you’ve learned and is perfect for practising your transitions smoothly.
